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In Performance

In Performance: Sorrow Swag / LIGIA LEWIS (American Realness)

In Performance: Sorrow Swag / LIGIA LEWIS (American Realness)

Sorrow Swag / LIGIA LEWIS

466 Grand Street,
New York, NY, United States

Viscerally nightmarish and spectacular in its simplicity, Sorrow Swag draws its audience into a sensorial abyss populated by cultural remnants of the Western canon.  Choreographed by Ligia Lewis with live sound by George Lewis Jr and muscularly performed by Brian Getnick, Sorrow Swag stages an amorphous boundary between interior and exterior, the internal and the cultural.  The performer’s haunting emotional life unfolds around us, populated by disjointed speech and movement, an expansive soundscape, and color-saturated visuals.  At the same time, text pulled from the Western canon–most notably Beckett–along with movement that morphs seamlessly from dancing to fighting insist that these painful states exist in relationship to external stimuli and political structures, particularly through the lens of race.  From the audience, it is not clear whether we are living inside this grief with the artists, or in fact constructing it ourselves with our gaze; ultimately, the piece’s striking–nay, terrifying–closing image, clearly inspired by Billie Whitelaw’s legendary 1973 performance of Beckett’s Not I, challenges us to see how both are true.  In Sorrow Swag, the path from the political to the primal is direct, if only we are brave enough to face its undeniable pain.

Reviewed by Sara Lyons

Image by Kat Reynolds

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Caden Manson is Editor In Chief and Curator of Contemporary Performance Network and co-founder and artistic director of Big Art Group, a New York City performance company founded in 1999.

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