Land/Scape/Theater proposes landscape as a necessary paradigm for understanding modern theater’s increasingly spatialized aesthetic as well as its engagement with the cultural meanings of place and space. Embracing subjects as diverse as the “landscape dramaturgy” of Suzan-Lori Parks, Artaud’s trip to the Sierra Madre,Gertrude Stein’s landscape theory and practice, Guillermo Gomez-Peña’s “border subjects,” and Bayreuth...

 Mama Dada is the first book the examine Gertrude Stein’s drama within the history of the theatrical and cinematic avant-gardes. Since the publication of Stein’s major writings by the Library of America in 1998, interest in her dramatic writing has escalated, particularly in American avant-garde theaters. This book addresses the growing interest in Stein’s theater...

Technology has always been an important part of theater, both as a means to an end and as end in itself. Throughout the twentieth century a unifying attitude in all art forms is the desire to examine the materials and the tools of making art. In the theatre this approach significantly expands the relationships between...

39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything. It is a unique and moving document for our times, full of curiosity and wonder, thoughtfulness and pain. About The Author: Matthew Goulish, founder...

The Theatre of Socìetas Raffaello Sanzio chronicles four years in the life of an extraordinary Italian theatre company whose work is widely recognized as some of the most exciting theatre currently being made in Europe. In the first English-language book to document their work, company founders, Claudia Castellucci, Romeo Castellucci and Chiara Guidi, discuss their...

The chance situation or random event—whether as a strategy or as a subject of investigation—has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why—a century after Dada and Surrealism's first...

Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in international discussions of contemporary theatre. Postdramatic Theatre refers to theatre after drama. Despite their diversity, the new forms and aesthetics that have evolved have one essential quality in common: they...

An Intriguing and Diverse Survey of Some of the Most Important Artists of the Century; New Affordable Format. As part of its critically-acclaimed “Themes and Movements” series, THE ARTIST’S BODY is a compelling look at the artists’ use of self and body as object and subject in their work, a movement that represents the state...

The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the...