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	<title>Contemporary PerformanceBig Art Group (NYC) | Contemporary Performance</title>
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		<title>In Print: Yale Theater Journal Publishes Scripts of Big Art Group and Nature Theater of Oklahoma</title>
		<link>http://contemporaryperformance.com/2010/05/27/in-print-yale-theater-journal-publishes-scripts-of-big-art-group-and-nature-theater-of-oklahoma/</link>
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		<pubDate>Thu, 27 May 2010 13:19:15 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Big Art Group (NYC)]]></category>
		<category><![CDATA[George Hunka]]></category>
		<category><![CDATA[Jacob Gallagher-Ross]]></category>
		<category><![CDATA[Nature Theater of Oklahoma (NYC)]]></category>
		<category><![CDATA[Theater Journal]]></category>
		<category><![CDATA[Tom Sellar]]></category>

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		<description><![CDATA[Nature Theater of Oklahoma&#8217;s Romeo and Juliet and Big Art Group&#8217;s SOS have been published in the new issue of Theater Journal. The issue focuses on the changing nature of playwriting, the impact of the economic crisis on theater in the US and Grotowski&#8217;s anniversary in Poland. Below is a quote from the editor, Tom Sellar, about the published texts and the larger issue of publishing new playwriting. Is all writing for the stage necessarily playwriting? What should we call the collection and arrangement of found texts — a strategy embraced by the first Internet generation, raised on pastiche and now testing its capacities onstage? Or words created by some process of research, improvisation, or collaboration that — deliberately or unknowingly — disregards constituent elements of dramatic form? This issue began as a simple collection of enthusiasms: the two American scripts it contains, performed in 2008 and 2009 by Big Art Group and Nature Theater of Oklahoma, reflect the linguistic, thematic, and structural creativity of New York’s reinvigorated self-producing ensembles. But these two projects, shaped and defined by innovative collaborative models, led us to contemplate other questions about the evolution and fate of playwriting: what exactly does it mean to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.oktheater.org/" target="_blank">Nature Theater of Oklahoma&#8217;s</a> <em>Romeo and Juliet</em> and <a href="http://www.bigartgroup.com" target="_blank">Big Art Group&#8217;s</a> <em>SOS </em>have been published in the new issue of <a href="http://theater.dukejournals.org/current.dtl" target="_blank">Theater Journal</a>. The issue focuses on the changing nature of playwriting, the impact of the economic crisis on theater in the US and Grotowski&#8217;s anniversary in Poland.</p>
<p style="text-align: center;"><img class="size-full wp-image-1873  aligncenter" title="cover" src="http://contemporaryperformance.com/wp-content/uploads/2010/05/cover.gif" alt="cover" width="147" height="200" /></p>
<p style="text-align: left;">Below is a quote from the editor, Tom Sellar, about the published texts and the larger issue of publishing new playwriting.</p>
<blockquote><p>Is all writing for the stage necessarily playwriting? What should we call the collection and arrangement of found texts — a strategy embraced by the first Internet generation, raised on pastiche and now testing its capacities onstage? Or words created by some process of research, improvisation, or collaboration that — deliberately or unknowingly — disregards constituent elements of dramatic form?</p>
<p>This issue began as a simple collection of enthusiasms: the two American scripts it contains, performed in 2008 and 2009 by Big Art Group and Nature Theater of Oklahoma, reflect the linguistic, thematic, and structural creativity of New York’s reinvigorated self-producing ensembles. But these two projects, shaped and defined by innovative collaborative models, led us to contemplate other questions about the evolution and fate of playwriting: what exactly does it mean to publish a script at a moment when print can no longer claim to guarantee dissemination of an artistic expression&#8230;</p>
<p>- Tom Sellar,   Theater Journal 40:2 doi 10.1215/01610775-2009-024</p>
<p>© 2010 by Yale School of Drama/Yale Repertory Theatre</p>
</blockquote>
<h3><strong>Table of Contents:</strong></h3>
<p><strong>Up Front</strong><br />
Tom Sellar<br />
Tanya Dean<br />
Juliana Francis Kelly</p>
<p><em>A Crisis of Purpose? A Forum</em><br />
Compiled and introduced by Ryan M. Davis</p>
<p><em>The Booking of the Play</em><br />
George Hunka</p>
<p><em>Babes in the Woods: Big Art Group’s SOS</em><br />
Jacob Gallagher-Ross</p>
<p><em>SOS</em><br />
Big Art Group</p>
<p><em>Uncreative Writing: Nature Theater of Oklahoma’s Romeo and Juliet</em><br />
Karinne Keithley</p>
<p><em>Nature Theater of Oklahoma’s Romeo and Juliet</em><br />
Nature Theater of Oklahoma</p>
<p><strong>Books</strong><br />
<em>Alan Ackerman on The American Play: 1787 – 2000</em></p>
<p><strong>Productions and Events</strong><br />
<em>Kathleen Cioffi on Year of Grotowski</em><br />
<em>Stephen Nunns on Grotowski’s Local Legacies</em><br />
<em>Miriam Felton-Dansky on Chautauqua! and The Provenance of Beauty</em></p>
]]></content:encoded>
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		<item>
		<title>Digest: Jan 12 &#8211; 22, 2010</title>
		<link>http://contemporaryperformance.com/2010/01/24/digest-jan-12-22-2010/</link>
		<comments>http://contemporaryperformance.com/2010/01/24/digest-jan-12-22-2010/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 15:15:20 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Digest]]></category>
		<category><![CDATA[Big Art Group (NYC)]]></category>
		<category><![CDATA[LA)]]></category>
		<category><![CDATA[Massimo Furlan (Genève]]></category>
		<category><![CDATA[Performancelogía blog and website (Caracas]]></category>
		<category><![CDATA[Scott Heron (New Orleans]]></category>
		<category><![CDATA[Switzerland]]></category>
		<category><![CDATA[Venezuela)]]></category>

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		<description><![CDATA[Featured: Massimo Furlan (Genève, Switzerland) January 22nd, 2010 Featured: Performancelogía blog and website (Caracas, Venezuela) January 21st, 2010 Featured: Scott Heron (New Orleans, LA) January 19th, 2010 In Performance: Big Art Group – Cinema Fury at Rhizome/The New Museum (NYC) January 12th, 2010]]></description>
			<content:encoded><![CDATA[<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a style="color: #000000; text-decoration: underline; padding: 0px; margin: 0px; border: initial none initial;" title="Permanent Link to Featured: Massimo Furlan (Genève, Switzerland)" rel="bookmark" href="http://contemporaryperformance.com/2010/01/22/featured-massimo-furlan-geneve-switzerland/">Featured: Massimo Furlan (Genève, Switzerland)</a></h2>
<h3 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 10pt; font: normal normal normal 8pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;">January 22nd, 2010</h3>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;">
<p><div class="wp-caption aligncenter" style="width: 610px"><img src="http://www.massimofurlan.com/galleries/Animal/images/picture_010.jpg" alt="You can speak, you are an animal - April 2009, Subsistances, Lyon © photos L. Ceillier &amp; P. Nydegger " width="600" height="400" /><p class="wp-caption-text">You can speak, you are an animal - April 2009, Subsistances, Lyon © photos L. Ceillier &amp; P. Nydegger </p></div></h2>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a style="color: #000000; text-decoration: underline; padding: 0px; margin: 0px; border: initial none initial;" title="Permanent Link to Featured: Performancelogía blog and website (Caracas, Venezuela)" rel="bookmark" href="http://contemporaryperformance.com/2010/01/21/featured-performancelogia-blog-and-website-caracas-venezuela/">Featured: Performancelogía blog and website (Caracas, Venezuela)</a></h2>
<p style="padding-top: 8px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font: normal normal normal 8pt/normal arial, verdana, tahoma, sans-serif; color: #000000; line-height: 14pt; margin: 0px;">January 21st, 2010</p>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a href="http://contemporaryperformance.com/wp-content/uploads/2010/01/Picture-3.png"><img class="aligncenter size-medium wp-image-1427" title="Picture 3" src="http://contemporaryperformance.com/wp-content/uploads/2010/01/Picture-3-300x230.png" alt="Picture 3" width="300" height="230" /></a></h2>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a style="color: #000000; text-decoration: underline; padding: 0px; margin: 0px; border: initial none initial;" title="Permanent Link to Featured: Scott Heron (New Orleans, LA)" rel="bookmark" href="http://contemporaryperformance.com/2010/01/19/featured-scott-heron-new-orleans-la/">Featured: Scott Heron (New Orleans, LA)</a></h2>
<p style="padding-top: 8px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font: normal normal normal 8pt/normal arial, verdana, tahoma, sans-serif; color: #000000; line-height: 14pt; margin: 0px;">January 19th, 2010</p>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a href="http://contemporaryperformance.com/wp-content/uploads/2010/01/14669_202177163683_797088683_3021466_3123075_n.jpg"><img class="aligncenter size-full wp-image-1409" title="14669_202177163683_797088683_3021466_3123075_n" src="http://contemporaryperformance.com/wp-content/uploads/2010/01/14669_202177163683_797088683_3021466_3123075_n.jpg" alt="14669_202177163683_797088683_3021466_3123075_n" width="297" height="192" /></a></h2>
<h2 style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 14pt; font: normal normal normal 14pt/normal arial, verdana, tahoma, sans-serif; color: #000000; padding: 0px;"><a style="color: #000000; text-decoration: underline; padding: 0px; margin: 0px; border: initial none initial;" title="Permanent Link to In Performance: Big Art Group – Cinema Fury at Rhizome/The New Museum (NYC)" rel="bookmark" href="http://contemporaryperformance.com/2010/01/12/in-performance-big-art-group-cinema-fury-at-rhizomethe-new-museum-nyc/">In Performance: Big Art Group – Cinema Fury at Rhizome/The New Museum (NYC)</a></h2>
<p style="padding-top: 8px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font: normal normal normal 8pt/normal arial, verdana, tahoma, sans-serif; color: #000000; line-height: 14pt; margin: 0px;">January 12th, 2010</p>
<p style="padding-top: 8px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font: normal normal normal 8pt/normal arial, verdana, tahoma, sans-serif; color: #000000; line-height: 14pt; margin: 0px;"><a href="http://contemporaryperformance.com/wp-content/uploads/2010/01/DSCF2428.jpg"><img class="aligncenter size-full wp-image-1426" title="DSCF2428" src="http://contemporaryperformance.com/wp-content/uploads/2010/01/DSCF2428.jpg" alt="DSCF2428" width="480" height="640" /></a></p>
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