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In Performance: Janet Cardiff & George Bures Miller – THE MURDER OF CROWS (NYC)

From the Thyssen-Bornemisza Art Contemporary Collection 
In association with the Mostly Mozart Festival
August 3 – September 9, 2012 

Photo from Janet Cardiff & George Bures Miller: THE MURDER OF CROWS on August 3, 2012

The largest sound installation to date by artists Janet Cardiff and George Bures Miller, The Murder of Crows is a compelling “sound play” that envelops the audience in an unexpected physical and aural environment. Moving and weaving through ninety-eight speakers mounted within the cavernous Drill Hall, the work narrates a captivating and confounding melodrama, investigating concepts of desire, intimacy, love and loss. The multifaceted soundscape uses a fluttering of voices and sounds, from crashing waves to the hubbub of a factory floor, to transport the listener to an unexpected dream-like world.

The Armory’s presentation of The Murder of Crows marks the work’s U.S. premiere.

For a look into the creation of The Murder of Crows, read this July 2nd INTERVIEW WITH THE ARTISTS.

About Janet Cardiff and George Bures Miller
Cardiff and Bures Miller represented Canada at the 49th Venice Biennale with Paradise Institute(2001), a 16-seat movie theatre where viewers watched a film, becoming entangled as witnesses to a possible crime played out in the real world audience and on the screen. The artists won La Biennale di Venezia Special Award at Venice, presented to Canadian artists for the first time and the Benesse Prize, recognizing artists who break new artistic ground with an experimental and pioneering spirit. Cardiff and Bures Miller have recently had exhibitions at the Art Gallery of Alberta (2010), Fruitmarket Gallery, Edinburgh, Scotland (2008) the Miami Art Museum (2007) Vancouver Art Gallery (2005), Luhring Augustine, New York (2004), Contemporary Arts Center, Cincinnati (2003), Art Gallery of Ontario (2002), National Gallery of Canada (2002) and Oakville Galleries, Oakville, Ontario (2000).

Photo: Photo: Roman März, Courtesy of the artists / Galerie Barbara Weiss, Berlin / Luhring Augustine, New York

(SOURCE: http://www.armoryonpark.org)

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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