Yearly Archives: 2013
Education: Auditions For Barcelona’s Institute of the Arts (Edinburgh, Leeds, Dublin, London)
Aspiring young British and Irish performers will have the opportunity to launch their studies in Spain thanks to innovative courses being introduced by Barcelona’s...
My satirical essay on the Koch Brothers and Metropolitan Museum published in The Guardian June 16, 2013
http://www.guardian.co.uk/commentisfree/2013/jun/16/david-koch-plaza-metropolitan-museum?guni=Network%20front:network-front%20main-4%20Pixies:Pixies:Position1
Four professional dancers, on the decision of whether to work for free. (A daily battle, in my experience.)
"“What I’ve realized as a freelancer... is that I’m actually running a small business." - Aaron Mattocks, Dancer, NYC “I can’t do unpaid work... I’m an...
Impulstanz 2013: Lecture on the latest research in myo-fascia and ancient art of chi kung
Introduction On 27th of july I will be presenting my research in the somatic realm for deepening performative technique. In this lecture I want to...
In Performance: Project 929 – Artist Draws 460 Mile Line for Energy Sustainability
Project 929: Mapping the Solar Augmented Bike Ride as Performative Intervention Last week, media artist/activist Joseph DeLappe physically and symbolically drew a line around the...
currently working on this:
PARA ACABAR from Daniel Pinheiro on Vimeo. Direction: Constança Carvalho Homem Video: Daniel Pinheiro Music: João Madeira -- To Have Done With The Judgment of God -- by...
Featured: The Wooster Group Video Blog (NYC)
Check out The Wooster Group's video blog with off the cuff clips, rehearsal snippets, back stage workings, archival footage, random ephemera, actor interviews and...
Curriculum Vitae
CURRICULUM VITAE Tero Nauha, b. 1970, teronauha@gmail.com Download CV: Academic_CV_May_2013List of publications, download. Education 2012-15 Research student, TAhTO, The School for Artistic research, Helsinki2011 Goldsmiths College of...
Books: Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience...
[RADICAL] PERFORMANCE & OPEN-SOURCE WEARABLE, WIRELESS BIO-TECH
HELP SUSTAIN SIGNS OF LIFEAND bring an expressive virtual world populated by corporeal sounds and generative imagery from dancers' bodies to a wider...
Ruido de Fondo. (Buenos Aires. 2013)
¿Cómo hacer la revolución? Preferiría no hacerlo. Playlist. Previa. Actos inútiles y arbitrarios. Angustia de las formas. Hombre sin atributos. Te sale re bien!...
