an online journal growing a community of knowledge about how we recognise, cultivate and negotiate a state of dance in human and other systems. The desire is to facilitate a community of practice around a sense of choreography as a new and open metaphor.
Although the ethics behind uploading "somebody's work" to the internet without "permission" is highly debatable, our point is doing so, especially when the "work" in question is a performance video -live recording or movie version of the performance, is t
An artist-driven project of Movement Research. The publication was conceived as a platform to activate and develop critical discourse on dance and movement-based work.
Culturebot.org is NYC’s first multidisciplinary, contemporary arts + culture blog, launching in December 2003. Though based in NYC we have expanded our coverage to include contemporary cultural news and events from around the world.
Daniel Mufson is an American freelance writer, translator, and editor. He lives in Berlin. He has translated plays, art criticism, and business texts. He is also the editor of Reza Abdoh, an anthology about an Iranian-American director and playwright, pub
The Digital Performance Institute (DPI) is a laboratory assisting artists in developing new dialogues between technology and performance. DPI’s programs are specifically designed to facilitate artist-driven investigation of technology’s role in multi-disc
Everybodys is a data base and a library, a toolbox and a game creator, a publication house, a score container, a site for distribution and for long term investigatory discussions. It is a platform for the development of tools and content, for research and
Eyebeam's Blog – Eyebeam was conceived as a non-profit art and technology center dedicated to exposing broad and diverse audiences to new technologies and media arts, while simultaneously establishing and demonstrating new media as a significant genre of
The Lost Notebook is an arts initiative that develops new forms in contemporary performance, generates new economically sustainable arts networks to share knowledge and resources and publishes new artist-authored critical scholarship.
Maska is a nonprofit organization for publishing, production (performances, interdisciplinary and visual art works), education and research. It is oganized through three sections: Maska Publications, Mas
THEATER NEWS, INFORMATION, TIPS ON UPCOMING SHOWS AND INFORMAL THEATER REVIEWS OF OFF-OFF BROADWAY, OFF BROADWAY AND THE OCCASIONAL BROADWAY SHOW. SINCE 2006.
PERFORMA is a non-profit interdisciplinary arts organization committed to the research, development, and presentation of performance by visual artists from around the world.
A creative research project exploring the contemporary values associated with performance at a time when it has increased resonance as a cultural phenomenon, and as a concept and metaphor in critical discourse.
Sarma is an artistic and discursive laboratory for criticism, dramaturgy, research and creation in the field of dance and beyond. Sarma collects and organizes discursive practices. By compiling author based or thematically related text anthologies, publis
An unfriendly takeover is not a guerrilla action, no kulturmilitärische strategy and a tactic nonetheless: The temporary takeover of another, alien place, a strange structure, a foreign subject. The takeover of curatorial authority, parallel to the new an
Keith Hennessy blogs about performance, contemporary dance, political action, San Francisco, USA, Europe and beyond whenever possible. Performance making, teaching and viewing as research and revival. Performance writing as a practice of witness, reflecti
