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Interdisciplinary, Collaborative, Expansive, Rigorous – 2 Year MFA in Theatre & Contemporary Performance – Sarah Lawrence College (New York)

A 2 Year MFA in Theater/Performance 30 Minutes from NYC
Deadline: January 1, 2023
Apply to the Theatre graduate program today

The Master of Fine Arts in Theatre at Sarah Lawrence College supports students through research and practice to develop their unique artistic voice and robust creative practice to engage with the contemporary field. Under the guidance of faculty and thesis advisors who are working artists, curators, and organizers, the program offers an advanced study of theatre and performance that is interdisciplinary, collaborative, expansive, and rigorous.

Academic Program
Like the College at large, the Graduate Program in Theatre emphasizes an individualized learning process. Each student’s course of study is unique and is created in consultation with the program director and faculty in response to the student’s background, interests, strengths, and artistic training requirements.

Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university.

Graduate Record Examination (GRE) scores are not required for admission.

More Information:
Podcast –>
Official Website –>
Instagram–>
Facebook–>
Program Website–>

The application deadline is January 1, 2023
Apply to the Theatre graduate program today»
Request More Information»

Interdisciplinary – The program emphasizes theatre and performance making as an integrative process.
Collaborative – Students work closely in classes, conferences, and productions with the faculty, guest artists, their graduate cohort, and the undergraduate theatre community.
Expansive – We emphasize the development of original work, grounded in a study of historical and contemporary forms and in expansive articulations of performance frameworks.
Rigorous – Embodiment, process, and feedback and reflection are at the core of graduate curricular work.

Program Overview

  • The program emphasizes theatre and performance making as an integrative practice. Each student develops a study program that draws from courses in acting, Alexander Technique, improvisation, creation of original work, design, directing, acting, contemporary performance, history/survey, movement, playwriting, solo performance, and puppetry speech, voice, and civic engagement.
  • Each student’s course of study is unique. Students spend several days during registration week in one-on-one interviews with the faculty to decide which “components” they will take. The program uses the term “components” instead of “courses” because it is possible, and encouraged, to take a component from the Music or Dance performing arts programs.
  • Graduate students work closely in classes, conferences, and productions with faculty, fellow graduate students, and the Sarah Lawrence undergraduate theatre community.
  • Graduate curricular work is augmented by a practicum in which students learn by doing. Multiple production frameworks offer graduate students a wide range of opportunities, including season productions, guest art residencies, downstage season, and independent student groups.
  • The Theatre and Civic Engagement program provides students with teaching placements with community partners.
  • Students participate in internships or fieldwork in New York City theatres and theatre organizations.

Deadline: January 1, 2023
Apply to the Theatre graduate program today»
Request More Information»

The Return by Tom Lee is an original theatre piece that brings the traditional world of puppetry into the modern era of technology.

Faculty

A caring and generous faculty support your creative practice and growth. Some of the faculty include:

Monthly Guests

Each month, the program invites nationally and internationally recognized artists to mentor and lead workshops during Grad Lab classes. Some of the past guests have included:

The application deadline is January 1, 2023
Apply to the Theatre graduate program online»

Request More Information»

Program Outline

For an MFA in Theatre, students will earn a total of 48 course credits (24 in the first year and 24 in the second). Students are accepted on a full-time basis; exceptions are made only in extraordinary circumstances.

In addition to the required components below, students choose components according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores aspects of theatre and performance that are new to them.

Graduate students participate in one or more practicum activities per year. Students take at least one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.).

Required courses in the M.F.A. program:

  • Performance Research (Year 1)
  • Studio (Year 1)
  • Grad Lab (Year 1 & 2)
  • Practice Thesis (Year 2)
  • Written Thesis (Year 2)
  • Survey (Year 2)
  • Practicum (Year 1 & 2)

Take a look at our course offerings for 2022/2023

Other than these required courses, students chose paths according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores theater and performance aspects that are new to them.

Graduate students participate in one or more practicum activities per year. These may include season productions, guest art residencies, downstage season, independent student groups, or internships. Students take one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.).

Apply Today

Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university.

Graduate Record Examination (GRE) scores are not required for admission.

The application deadline is January 1, 2023

Apply to the Theatre graduate program online»
Request More Information»

More Information:
Podcast –>
Official Website –>
Instagram–>
Facebook–>
Program Website–>

Interdisciplinary, Collaborative, Expansive, Rigorous – 2 Year MFA in Theatre – Sarah Lawrence College (New York)

A 2 Year MFA in Theater/Performance 30 Minutes from NYC
Deadline: January 1, 2021

Apply to the Theatre graduate program today

The Master of Fine Arts in Theatre at Sarah Lawrence College supports students through research and practice to develop their unique artistic voice and robust creative practice to engage with the contemporary field. Under the guidance of faculty and thesis advisors who are working artists, curators, and organizers, the program offers an advanced study of theatre and performance that is interdisciplinary, collaborative, expansive, and rigorous.

Academic Program
Like the College at large, the Graduate Program in Theatre emphasizes an individualized learning process. Each student’s course of study is unique and is created in consultation with the program director and faculty in response to the student’s background, interests, strengths, and artistic training requirements.

Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university.

Graduate Record Examination (GRE) scores are not required for admission.

More Information:
Podcast –>
Official Website –>
Instagram–>
Facebook–>
Program Website–>

The application deadline is January 1, 2022
Apply to the Theatre graduate program today»
Request More Information»

I’m Very Into You is a civically engaged piece led by guest artist, Sara Lyons.

Interdisciplinary – The program emphasizes theatre and performance making as an integrative process.
Collaborative – Students work closely in classes, conferences, and productions with the faculty, guest artists, their graduate cohort, and the undergraduate theatre community.
Expansive – We emphasize the development of original work, grounded in a study of historical and contemporary forms and in expansive articulations of performance frameworks.
Rigorous – Embodiment, process, and feedback and reflection are at the core of graduate curricular work.

Program Overview

  • The program emphasizes theatre and performance making as an integrative practice. Each student develops a study program that draws from courses in acting, Alexander Technique, improvisation, creation of original work, design, directing, acting, contemporary performance, history/survey, movement, playwriting, solo performance, and puppetry speech, voice, and civic engagement.
  • Each student’s course of study is unique. Students spend several days during registration week in one-on-one interviews with the faculty to decide which “components” they will take. The program uses the term “components” instead of “courses” because it is possible, and encouraged, to take a component from the Music or Dance performing arts programs.
  • Graduate students work closely in classes, conferences, and productions with faculty, fellow graduate students, and the Sarah Lawrence undergraduate theatre community.
  • Graduate curricular work is augmented by a practicum in which students learn by doing. Multiple production frameworks offer graduate students a wide range of opportunities, including season productions, guest art residencies, downstage season, and independent student groups.
  • The Theatre and Civic Engagement program provides students with teaching placements with community partners.
  • Students participate in internships or fieldwork in New York City theatres and theatre organizations.

Deadline: January 1, 2022
Apply to the Theatre graduate program today»
Request More Information»

The Return by Tom Lee is an original theatre piece that brings the traditional world of puppetry into the modern era of technology.

Faculty

A caring and generous faculty support your creative practice and growth. Some of the faculty include:

Monthly Guests

Each month, the program invites nationally and internationally recognized artists to mentor and lead workshops during Grad Lab classes. Some of the past guests have included:

The application deadline is January 1, 2022
Apply to the Theatre graduate program online»

Request More Information»

Program Outline

For an MFA in Theatre, students will earn a total of 48 course credits (24 in the first year and 24 in the second). Students are accepted on a full-time basis; exceptions are made only in extraordinary circumstances.

In addition to the required components below, students choose components according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores aspects of theatre and performance that are new to them.

Graduate students participate in one or more practicum activities per year. Students take at least one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.).

Required courses in the M.F.A. program:

  • Performance Research (Year 1)
  • Studio (Year 1)
  • Grad Lab (Year 1 & 2)
  • Practice Thesis (Year 2)
  • Written Thesis (Year 2)
  • Survey (Year 1 & 2)
  • Practicum (Year 1 & 2)
  • Creative Producing (Year 2)

Take a look at our course offerings for 2021/2022

Other than these required courses, students chose paths according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores theater and performance aspects that are new to them.

Graduate students participate in one or more practicum activities per year. These may include season productions, guest art residencies, downstage season, independent student groups, or internships. Students take one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.).

Apply Today

Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university.

Graduate Record Examination (GRE) scores are not required for admission.

The application deadline is January 1, 2022
Apply to the Theatre graduate program online»

Request More Information»

More Information:
Podcast –>
Official Website –>
Instagram–>
Facebook–>
Program Website–>

€5,000 Decoratelier Open Call, Belgium/International

€5,000 research residency for scenographic and spatial practices at Decoratelier in Brussels

Artists and collectives working with space, scenography, installation, architecture, and performative environments can now apply for the Decoratelier Open Call in Brussels, Belgium. Organized through workspacebrussels, this 3-week residency supports research-based spatial experimentation inside a working warehouse environment in Molenbeek.

The Decoratelier Open Call opportunity focuses on research rather than production. Applicants are expected to propose an investigation into spatial practice, ephemeral architecture, or scenographic experimentation connected to the performing arts. The residency provides a €5,000 budget, workspace access, technical support, workshop facilities, and artistic feedback. Applications are due May 31, 2026.

*Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->

Decoratelier Open Call Snapshot

What: 3-week research residency focused on scenographic and spatial practices in the performing arts
Who: Artists or collectives based in Belgium or abroad
Where: Decoratelier, Molenbeek, Brussels, Belgium
Award / Support:
– €5,000 budget including VAT
– 10x18m warehouse hall
– Wood and metal workshop access
– Existing reusable materials
– Junior builder support three days per week
– Artistic and technical feedback
– Possible internal showing
– Weekday lunch at Cassonade
Residency Duration / Structure: October 5–23, 2026
Deadline: May 31, 2026, midnight
Application: workspacebrussels Open Call Decoratelier
How to Apply/Strategy Coach Notes: https://www.patreon.com/posts/strategy-coach-158768816

About the Decoratelier Open Call

The Decoratelier residency operates as a research environment for artists interested in space as an active component of artistic practice. Organized through workspacebrussels and situated inside Decoratelier in Brussels, the program prioritizes experimentation over production. Applicants are not expected to arrive with a completed project or finalized scenography. Instead, the residency supports open investigation into how bodies, structures, materials, movement, architecture, and temporary construction methods interact inside performative contexts.

Decoratelier itself functions as a hybrid workshop and artistic research site connected to scenography and technical production. The residency emphasizes material reuse and iterative experimentation. Artists are encouraged to work with what already exists in the space and to develop proposals responsive to the physical environment. The open call specifically frames the residency as context-specific. This means the proposal should engage directly with the warehouse architecture, workshop conditions, available materials, and research structure provided by the host organizations.

The residency also distinguishes itself from traditional rehearsal or production residencies. The organizers explicitly state that the residency does not provide scenographic support for existing productions. Instead, it creates time and infrastructure for spatial investigation. This distinction is important when framing an application. Projects centered primarily on presenting finished work, mounting productions, or finalizing performance outcomes may not align strongly with the structure of the residency.

What Is Offered

  • €5,000 budget including VAT
  • 3-week residency period
  • 10x18m warehouse hall
  • Wood workshop access
  • Metal workshop access
  • Existing reusable materials
  • Junior builder support three days weekly
  • Artistic and technical guidance
  • Possible internal sharing
  • Lunch during weekdays

Who Should Apply

This residency is designed for artists and collectives working within spatial practices connected to performance. The call is particularly relevant for scenographers, installation artists, architects, interdisciplinary performers, theatre makers, choreographers, and artists investigating temporary structures, environmental performance, or embodied spatial systems.

International applicants are eligible. The call explicitly welcomes artists based in Belgium or abroad.

Want the Strategy Behind This Application?

The Decoratelier Open Call is structured around spatial research, material experimentation, and the ability to define a clear investigative process within a workshop-based residency environment. Most applications weaken when proposals remain conceptual, describe finished productions instead of research processes, or fail to explain why Decoratelier’s specific spatial and fabrication conditions are necessary to the work. Strategy Coach Notes break down how reviewers assess the research question, contextual fit, portfolio alignment, support requests, and operational clarity, and how to construct an application where methodology, environment, experimentation, and spatial inquiry function as one coherent system.

Timeline

Applications are due by May 31, 2026, at midnight.

The selected residency takes place from October 5–23, 2026, in Brussels. The residency lasts three weeks and operates as a concentrated research period. Applicants should therefore frame projects with achievable scope and clear operational focus. The timeline favors projects that can develop rapidly through iteration, testing, construction, and spatial dialogue inside the residency environment.

Why This Opportunity Matters

Many residencies supporting scenographic or spatial practices remain tied to production outcomes, exhibition expectations, or finalized performances. Decoratelier creates a different structure. The residency prioritizes experimentation, process, and material investigation. This allows artists to test ideas that may still be unresolved, unstable, or exploratory.

The combination of technical infrastructure, workshop access, and spatial scale also makes the residency unusually valuable for artists working physically and architecturally. Access to fabrication support and reusable materials can significantly expand the feasibility of spatial research processes that are often difficult to sustain independently.

The residency’s emphasis on context-specific inquiry also creates strong opportunities for artists interested in site-responsive work, environmental dramaturgy, installation systems, or expanded scenographic practices operating between performance, architecture, and visual art.

Apply

Apply to Decoratelier Open Call

Explore More Opportunities

Visit Contemporary Performance Opportunities for more artist residencies, grants, fellowships, open calls, and international opportunities.

*Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->

Art and Technology Fellowship, Serpentine FAE, £10,000

Six-month creative R&D fellowship for artists, technologists, curators, producers, organisers, researchers, and interdisciplinary practitioners.

The Art and Technology Fellowship from Serpentine Arts Technologies supports four fellows, individuals or collectives, working across art and advanced technologies. The inaugural Future Art Ecosystems R&D Fellowship: Art x Convergence is a six-month, low-residency programme running from September 2026 to March 2027. Fellows receive a £10,000 award, travel and accommodation support for London intensives, mentorship, workshops, seminars, advisors, peer exchange, and public-facing process sharing. Applications are open until midnight BST on 7 June 2026.

*Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->

Opportunity Snapshot – Art and Technology Fellowship

What: Future Art Ecosystems R&D Fellowship: Art x Convergence
Who: Individuals and collectives working at the intersection of art and advanced technologies. Applicants may work across art, technology, curating, producing, organising, research, writing, or other interdisciplinary approaches.
Where: Hybrid, with three in-person weekend intensives in London.
Award / Support:
– £10,000 fellowship award
– Travel and accommodation support for London weekends
– One-to-one mentorship
– Specialist workshops, seminars, and advisors
– Peer learning and cohort exchange
– Coordination, logistics, and access support from the FAE / Arts Technologies team
Application Fee: Not listed
Residency Duration: September 2026 to March 2027
Application Opens: 5 May 2026
Deadline: Midnight BST, 7 June 2026
Official Link: https://airtable.com/appB9uhkcEZ0NUpbQ/pagB33PwCFgLTUTww/form
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-158454014

Want the Strategy Behind This Application

The Future Art Ecosystems Fellowship is structured around research clarity, process-led development, and the ability to articulate how a practice operates within unstable technological, social, and institutional conditions. Most applications weaken when proposals describe broad themes around AI or technology without defining a focused inquiry, a realistic six-month R&D structure, or a clear relationship between mentorship, experimentation, documentation, and public process sharing. Strategy Coach Notes break down how reviewers assess research questions, portfolios, mentorship fit, and process design, and how to build an application where inquiry, methodology, work samples, and fellowship structure operate as one coherent system.

About the Art and Technology Fellowship

Serpentine Arts Technologies has launched the inaugural Future Art Ecosystems R&D Fellowship: Art x Convergence as a creative research programme for practitioners working with advanced technologies. The fellowship supports early-stage creative research grounded in process, dialogue, and shared learning. Fellows are invited to pursue a defined research question connected to their practice or a project in development. The programme is connected to Serpentine’s broader Future Art Ecosystems initiative, which addresses cultural infrastructure, organisational innovation, and advanced technologies.

The 2026 theme, Art x Convergence, asks applicants to consider how previously separate systems are becoming entangled through AI, advanced technologies, legal frameworks, ecological systems, embodiment, simulation, authorship, accountability, and planetary governance. Serpentine frames convergence as an active site where categories become unstable and disciplinary tools may prove insufficient. The fellowship is designed for practitioners who can use creative R&D to stay with instability, develop methods, and share process publicly.

What Is Offered

Selected fellows receive:

  • £10,000 fellowship award
  • Travel and accommodation support for the three London weekends
  • One-to-one mentorship
  • Access to specialist workshops, seminars, and advisors
  • Peer learning and cohort exchange
  • Support from the FAE / Arts Technologies team
  • Public-facing process sharing opportunities
  • A six-month hybrid structure with online and in-person components

The program includes three in-person weekend gatherings in London, regular online cohort sessions, weekly sessions with advisors and specialist workshops, monthly one-to-one mentor meetings, occasional check-ins with the Serpentine Arts Tech team, and independent research time. Weekly online participation is around 3.5 hours.

Who Should Apply To The Art and Technology Fellowship

This opportunity is for practitioners whose work engages art and advanced technologies through practice, research, organising, production, curating, writing, or interdisciplinary methods. International applicants are welcome, provided they can attend the three London intensives. Collectives may apply, but the collective must nominate a lead participant for in-person activities.

Strong applicants should have a clear research question, concern, or line of inquiry. The proposal does not need to be fully resolved. Serpentine states that clarity of inquiry matters more than polish, and the fellowship is focused on process, experimentation, and development rather than a finished outcome.

Application Materials

The application asks for personal details, a video introduction, information about the applicant’s practice, CV, portfolio, work samples, references, attendance confirmation, visa support information, optional access needs, and application questions.

Timeline

The open call launched on 5 May 2026.
Applications close at midnight BST on 7 June 2026.
Shortlisted candidates will be interviewed in June.
The fellowship runs from September 2026 to March 2027, with in-person London intensives in September 2026, November 2026, and March 2027. Exact intensive dates will be shared with selected fellows.

Why This Opportunity Matters

This fellowship is significant because it supports research before a project becomes fixed into final form. It gives practitioners time, mentorship, peer exchange, public process, and institutional context while asking them to articulate how their work responds to convergence as a real condition of contemporary practice. For artists working with AI, robotics, simulation, embodiment, infrastructure, governance, ecology, or hybrid systems, this is a focused opportunity to develop language, methods, and research structures inside a major international art institution.

Apply

Apply through the official Serpentine application form linked from the programme page.

Explore More Opportunities

Visit Contemporary Performance Opportunities for more artist opportunities, residencies, grants, fellowships, and open calls.

Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->

5 Essential Artist CV Tips to Stop Missing Grants and Residencies

Artist CV Tips

An artist CV should function as an active archive of your practice. Too many artists treat it as a document that only matters during application season, updating it hurriedly while preparing for a residency, grant, fellowship, teaching position, or commission deadline. This approach creates unnecessary stress and often leads to incomplete applications, forgotten projects, missing credits, outdated bios, and lost opportunities.

Your CV should already exist before the opportunity appears.

Maintaining an updated CV is one of the simplest professional habits an artist can develop. It creates clarity around your practice, helps you recognize patterns in your development, and allows you to respond quickly when opportunities arise. A strong CV also changes how institutions, collaborators, curators, presenters, and funders perceive your work. It demonstrates organization, continuity, seriousness, and long-term engagement.

For artists working across performance, theatre, dance, visual art, interdisciplinary practice, media art, installation, socially engaged work, or hybrid forms, the CV becomes especially important because your practice often unfolds across multiple systems simultaneously. A single year might include performances, workshops, collaborations, publications, lectures, residencies, digital works, curatorial projects, or teaching engagements. Without ongoing maintenance, important parts of your practice disappear from memory.

The easiest approach is to maintain one master CV document in Google Docs or Microsoft Word. Treat it as a living repository rather than a finished object. Update it continuously throughout the year. After every project, immediately add the relevant information while details are still fresh.

This habit prevents the common cycle of reconstructing years of activity from old emails, social media posts, calendars, and archived applications. Below are 5 Artist CV Tips to Stop Missing Grants and Residencies


*Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->


Artist CV Tips #1: Why Artists Lose Opportunities

Many artists underestimate how often professional materials are needed.

Applications frequently request:

  • CVs
  • bios
  • publication histories
  • teaching records
  • performance histories
  • residency lists
  • lecture experience
  • press citations
  • exhibition records
  • references
  • technical skills
  • project chronologies

Opportunities also arrive quickly. A curator may ask for materials with a 24-hour turnaround. A presenter may request a short bio and CV for publicity. A publication may ask for your recent history. A university may request teaching documentation. A panel organizer may need institutional affiliations and prior speaking experience.

Artists with updated materials respond immediately.

Artists without organized records often miss deadlines, submit incomplete applications, or avoid applying entirely because the labor of reconstructing their history becomes overwhelming. Maintaining your CV removes this friction.


Artist CV Tips #2: Build Your CV Like an Archive

Think of your CV as an expandable archive of your artistic life. Do not wait until you feel accomplished enough to maintain one. Start now, even if the document is short, because the habit of tracking your work is more important than the length of the document itself. Create sections that can grow over time and continue adding to them as your practice develops. A CV built gradually across months and years becomes far more accurate, detailed, and useful than one assembled quickly during application season.

Typical artist CV categories include:

Education

List degrees, training programs, certifications, mentorships, conservatories, workshops, and significant study experiences.

Include:

  • institution
  • degree or program
  • location
  • graduation year or attendance dates

Start with the most recent experience first.

Performance History / Exhibitions

Document performances, exhibitions, screenings, installations, tours, commissions, and collaborative projects.

Include:

  • title of work
  • venue or festival
  • city/country
  • year
  • collaborators if relevant

Performance artists may divide work into categories such as:

  • solo works
  • collaborative works
  • devised performances
  • touring productions
  • installations
  • digital works

Visual artists often separate solo exhibitions from group exhibitions.

Awards, Grants, and Fellowships

Track every award, grant, fellowship, scholarship, or honor.

Include:

  • name of award
  • granting organization
  • year

Do not minimize smaller awards. Early support demonstrates professional development and institutional recognition.

Residencies and Commissions

Residencies and commissions are major indicators of artistic activity.

Include:

  • residency or commission name
  • institution
  • location
  • year

If the residency included a presentation, publication, or public event, you can also note that.

Teaching, Workshops, and Lectures

Many artists forget to document educational work.

Track:

  • teaching positions
  • adjunct roles
  • guest lectures
  • workshops
  • masterclasses
  • mentorships
  • panels
  • conference participation

Include:

  • institution or organization
  • title of workshop or lecture
  • role
  • year

This material becomes extremely valuable for academic jobs, grants, speaking invitations, and leadership opportunities.

Publications and Press

Create a section for:

  • essays
  • interviews
  • reviews
  • catalog texts
  • journals
  • books
  • press coverage
  • citations

Use consistent formatting.

Include:

  • author
  • title
  • publication
  • year
  • page numbers or links if relevant

Maintaining this section over time prevents important writing and documentation from disappearing.


Artist CV Tips #3: Keep Multiple Versions

Over time, you will likely develop several versions of your CV.

For example:

  • full CV
  • short CV
  • academic CV
  • performance-focused CV
  • curatorial CV
  • technical CV
  • grant application version

The master document becomes the source from which all other versions are adapted. This system saves enormous amounts of time.


Artist CV Tips #4: Formatting Matters

A CV should be clean, readable, and easy to navigate.

Use:

  • clear headings
  • consistent dates
  • consistent spacing
  • readable fonts
  • chronological organization

Avoid overly designed layouts that reduce readability. Most institutions prefer clarity over visual experimentation. Export the document as a PDF before sending unless another format is requested.


Artist CV Tips #4: Your CV Reflects Your Practice

Maintaining your CV does more than organize professional information. It changes your relationship to your own work by creating visibility around the labor, development, collaborations, and accumulated experience that often disappear in the speed of production. Artists frequently move from one project to the next without taking time to recognize what they have actually built over years of practice. An updated CV creates a clearer view of your trajectory and helps identify patterns across your work, including recurring themes, collaborators, institutions, locations, methods, and areas of growth. Over time, this perspective becomes valuable when shaping future projects, writing applications, building long-term relationships, and understanding how your practice is evolving.

You may begin to notice:

  • recurring themes
  • long-term collaborators
  • geographic relationships
  • institutional networks
  • gaps in your practice
  • shifts in medium or form
  • teaching development
  • publication growth

This perspective becomes extremely useful when writing grants, artist statements, project proposals, bios, residency applications, teaching applications, and institutional materials because it gives you a clear view of your own development, history, and professional trajectory. A maintained CV supports long-term sustainability by reducing administrative stress, increasing readiness, and allowing you to focus energy on developing work instead of reconstructing your history at the last minute. Professional readiness is part of artistic practice, and maintaining your CV is one of the simplest systems an artist can build to support future opportunities.


Get a curated list of opportunities each week before deadlines hit. Join the Contemporary Performance newsletter and stay connected to the field. Join The Newsletter->


Explore Artist Opportunities

Visit Contemporary Performance Opportunities for more artist opportunities, residencies, grants, fellowships, and open calls.

€18,000 Tanztage Berlin Open Call 2027 for Emerging Dance Artists

Tanztage Berlin Open Call 2027 for Emerging Dance Artists

Support for premieres and revivals by Berlin-connected choreographers and performance makers

Tanztage Berlin Open Call is now accepting applications for its 2027 edition at Sophiensæle. Since 1996, the festival has supported emerging choreographers and performance artists working across contemporary dance, choreography, installation, video, and expanded performance formats. The 2027 edition, scheduled for January 7–23, 2027, will be the final edition under the artistic direction of Mateusz Szymanówka. The festival is seeking artists connected to Berlin who are developing new productions or proposing revivals of completed works. Premiere projects can receive between €10,000 and €18,000 in production support, while revival projects receive a €5,000 flat fee. The deadline to apply is July 5, 2026.

Tanztage Berlin Snapshot

What: Open call for premieres and revivals in contemporary dance, choreography, and performance
Who: Emerging artists connected to Berlin, including artists early in their careers, artists newly living in Berlin, and artists without prior Berlin project funding
Where: Sophiensæle, Berlin, Germany
Award / Support:
Premieres

  • €10,000–€18,000 production subsidy
  • €410 evening fee per person per performance
  • Approximately 2 weeks of rehearsal space
  • Technical, curatorial, dramaturgical, PR, and organizational support
  • Photo and video documentation

Revivals

  • €5,000 flat fee
  • €410 evening fee per person per performance
  • Technical, curatorial, PR, and organizational support
  • Photo and video documentation

Additional Support

  • Workshops on accessibility, intimacy coordination, and mental health
  • Administrative and budgeting support
  • Potential rehearsal access at Sophiensæle

Residency Duration / Structure: Festival runs January 7–23, 2027. Rehearsal periods begin November 2026.
Deadline: July 5, 2026
Official Link: Tanztage Berlin Open Call 2027
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-158260508

Want the Strategy Behind This Application

Tanztage Berlin is structured around choreographic clarity, production feasibility, and technical realism. Most applications weaken when proposals describe themes and aesthetics without clearly explaining how the work functions in rehearsal, staging, audience encounter, and festival presentation. Strategy Coach Notes break down how reviewers evaluate premieres versus revivals, how work samples are assessed alongside budgets and technical materials, and how to build an application where choreography, production planning, accessibility, and collaborator structure operate as one coherent system.

About Tanztage Berlin Open Call

Tanztage Berlin has long functioned as a major entry point into Berlin’s independent dance and performance ecosystem. The festival consistently focuses on artists whose practices challenge conventional choreographic structures and whose work engages expanded understandings of embodiment, social structures, image production, and live performance. The open call explicitly welcomes projects working across stage performance, online formats, installation, long-duration structures, and video. This creates room for choreographic work that exceeds traditional theatre presentation models.

The 2027 edition places strong emphasis on artists connected to Berlin’s independent dance field. The eligibility language is intentionally broad. Applicants are not required to provide formal residency registration, though the application must demonstrate a meaningful professional relationship to the city. The festival also states its interest in projects involving marginalized perspectives, intergenerational casts, disabled artists, and diverse working structures. The call openly acknowledges the institution’s ongoing internal work around accessibility, anti-discrimination, and power structures, which gives important context to how applications may be evaluated.

Operationally, the festival divides applications into two tracks: premieres and revivals. Premiere projects require a budget and production structure. Revival projects focus more heavily on feasibility, touring readiness, and technical execution. In both modules, the application functions as an organizational document as much as an artistic proposal. Reviewers are evaluating whether the project can realistically move through rehearsal, technical setup, scheduling, and public presentation within the framework of the festival.

The application materials reinforce this operational focus. Applicants must articulate the project clearly within strict character limits while also providing rehearsal planning, technical requirements, participant information, accessibility considerations, and work samples. The strongest applications will demonstrate structural clarity across all sections instead of relying on abstract thematic framing.

What Is Offered

  • €10,000–€18,000 production support for premieres
  • €5,000 flat support for revivals
  • €410 evening fee per person per performance
  • Approximately 2 weeks of rehearsal space for premieres
  • Technical rehearsals and stage setup support
  • Curatorial support throughout development
  • Junior dramaturg support for premieres
  • PR and marketing support
  • Photo and video documentation
  • Administrative and billing support
  • Accessibility workshop participation
  • Intimacy coordination workshop participation
  • Mental health workshop participation
  • Opportunity to present work within a major Berlin festival platform

Who Should Apply to Tanztage Berlin

This opportunity is well suited for choreographers and performance makers developing work that already has a clear production structure. The festival supports experimentation, though the application still requires strong operational planning. Projects should demonstrate an understanding of rehearsal needs, technical setup, audience relationship, and team organization.

Artists proposing premieres should already have a concrete production direction and a realistic budget structure. Revival applicants should demonstrate why the project merits renewed presentation and how the work functions within the festival context. Since many performances are programmed as double bills, concise runtime planning and technical feasibility may influence selection decisions.

The call is especially relevant for artists building visibility within Berlin’s independent performance ecology.

Artists newly connected to the city are encouraged to apply.

Timeline for Tanztage Berlin

Applications are due July 5, 2026. Program decisions are expected by the end of September 2026, subject to funding confirmation. Selected artists will participate in workshops during October 2026. Rehearsal periods begin in November and December 2026, with additional technical rehearsals taking place between Christmas and New Year and during January 2027 leading into the festival presentation period.

Applicants may also participate in open Zoom office hours with curator Mateusz Szymanówka during May and June 2026, along with a public information session on June 29, 2026.

Why Tanztage Berlin Matters

Tanztage Berlin remains one of the most visible platforms for emerging choreography in Germany. The structure combines production support, institutional visibility, technical resources, and curatorial framing within a concentrated festival environment. The opportunity is particularly valuable for artists seeking stronger integration into Berlin’s independent dance ecosystem while developing ambitious new choreographic work.

The festival’s openness toward hybrid formats, installation, video, and expanded performance structures also makes this opportunity relevant for interdisciplinary artists working beyond traditional stage choreography. The inclusion of workshops focused on accessibility, intimacy, and mental health reflects a broader institutional shift toward sustainable artistic working conditions and contemporary production ethics.

Apply

Official Application Page

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$40,000 Dance Advancement Fund NYC General Operating Support

Two-year operating support for dance makers in the New York City metropolitan area

The Dance/NYC Dance Advancement Fund NYC General Operating Support program is now accepting Expressions of Interest for its fifth funding cycle. The program supports dance-making organizations and groups with annual operating budgets between $25,000 and $250,000 through two years of unrestricted operating support, professional development, and sustainability-focused cohort resources.

Supported by the Howard Gilman Foundation and the Ford Foundation, the fund prioritizes long-term sustainability, organizational health, equitable labor practices, and community-rooted dance activity across the New York City metropolitan region.

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Opportunity Snapshot

What: Two-year general operating support fund for dance-making organizations and groups
Who: Dance-making organizations and fiscally sponsored groups based in the NYC metropolitan area with annual budgets between $25,000–$250,000
Where: New York City metropolitan area
Award / Support:

  • $6,000–$40,000 annually over two years
  • Professional development support
  • Cohort convenings
  • One-on-one coaching and consulting
  • Sustainability and capacity-building resources
  • $455 honorarium for invited full application applicants who complete Tier II

Application Fee: No application fee listed
Grant Period: September 1, 2026 to August 31, 2028
Deadline: Expression of Interest: June 2, 2026, 11:59 p.m. ET
Full Application Deadline for invited applicants: August 4, 2026, 5:00 p.m. ET
Official Link: Dance/NYC Dance Advancement Fund
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-158155112

Want the Strategy Behind This Application

This fund is structured around organizational sustainability, operational readiness, equitable labor practices, and long-term development capacity. Most applications weaken at the level of organizational clarity, where proposals describe artistic mission and community values without clearly defining how the organization functions operationally, how funding will be used over two years, or how sustainability goals connect to staffing, budgeting, and community engagement. Strategy Coach Notes break down how reviewers evaluate unrestricted operating support applications, how to frame organizational advancement without inflated institutional language, and how to construct a proposal where the narrative, financial materials, labor structures, equity commitments, and sustainability planning reinforce each other as one coherent operational system.

About the Opportunity

The Dance Advancement Fund NYC General Operating Support initiative is structured around long-term sustainability for small and mid-sized dance organizations. Unlike project-based funding programs, this fund centers operational capacity, labor conditions, strategic planning, and organizational resilience. Dance/NYC states that the program will distribute $650,000 across up to 25 grantees during the grant period.

The fund is specifically designed for organizations and groups that are actively producing or creating dance work within the NYC metropolitan area. Eligibility is tied to sustained local activity, budget scale, and organizational structure. Applicants must demonstrate at least three years of dance-making activity in the region and maintain either nonprofit status or fiscal sponsorship.

The application process is intentionally divided into two stages. The first stage uses a lower-labor Expression of Interest structure focused on eligibility verification and baseline organizational information. Applicants invited into Tier II then complete a more detailed application process that includes financial documentation, equity analysis materials, and optional artistic work samples.

Dance/NYC also places strong emphasis on cohort participation and professional development. The program extends beyond direct funding and includes strategic coaching, peer learning, operational consulting, and sustainability support. This structure positions the fund as a long-term organizational development initiative rather than a simple grant cycle.

What Is Offered

  • Annual unrestricted operating support grants ranging from $6,000–$40,000
  • Two-year grant period
  • Funding installments in October 2026 and October 2027
  • Professional development webinars
  • Annual grantee convenings
  • Cohort-based peer exchange
  • Strategic coaching and consulting
  • Support in fundraising, communications, administration, operations, and fiscal management
  • Technical assistance support during the application process
  • Recorded webinars and multilingual application resources
  • $455 honorarium for invited Tier II applicants who complete the full application

Who Should Apply

This opportunity is designed for dance-making organizations and groups operating within a modest to mid-sized budget range. It is especially relevant for organizations seeking stabilization, operational strengthening, sustainable labor practices, and long-term infrastructure support.

Dance/NYC prioritizes organizations and groups led by or centered around ALAANA, immigrant, disabled, transgender, nonbinary, genderqueer, and gender nonconforming artists. Priority is also given to dance makers serving under-resourced geographic areas and groups with limited access to major philanthropic funding streams.

Applicants should already have a clear operational structure, financial tracking systems, and an ongoing artistic practice rooted in the NYC metropolitan region.

Not eligible:

  • Individual artists without fiscal sponsorship
  • Educational institutions
  • Festivals and presenters
  • Service organizations
  • Dance therapy organizations
  • Current Howard Gilman Foundation grantees

Timeline

Expression of Interest submissions opened April 15, 2026. The EOI deadline is June 2, 2026 at 11:59 p.m. ET.

Applicants selected through the EOI process will receive invitations to submit a full application beginning June 30, 2026. Tier II applications are due August 4, 2026 at 5:00 p.m. ET.

Grant notifications are scheduled for September 2026, with the grant period beginning September 1, 2026 and continuing through August 31, 2028.

Why This Opportunity Matters

The Dance Advancement Fund NYC General Operating Support program addresses a structural gap in dance funding. Many dance organizations operate within unstable project-to-project cycles that leave little room for operational growth, strategic planning, staff support, or sustainability infrastructure. This fund directly addresses those conditions through unrestricted support and organizational development resources.

The structure of the program also reduces application labor during the first phase, which is increasingly important as arts organizations navigate limited administrative capacity and increasing funding competition. The inclusion of a Tier II applicant honorarium further acknowledges the labor required to complete comprehensive grant applications.

For organizations seeking operational stabilization, equitable labor structures, or stronger long-term sustainability systems, this is one of the more significant dance-specific operating support opportunities currently available in the United States.

Apply

Dance Advancement Fund Application Information

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Opportunities: online course "The Unruly Body: (De-)constructing and Performing Gender (online) Deadline – May 20 2026

Opportunity: online course “The Unruly Body: (De-)constructing and Performing Gender
Where: online
When: May 25-June 15, 2026; Mondays 6-8PM CET
Deadline: May 20 2026
Online Application: https://ecc-performanceart.eu/gender
Fee to Participate or Apply: EUR 175

Description Of Opportunity:

Is gender a script we are born with, or a rehearsal we never finish? Do you follow the rules, or break and rewrite them?

Judith Butler suggests that gender is not a stable identity but a “regulatory fiction”, a repetitive performance of acts constrained by social rules. This opens our understanding of the complexity of gender identities as well as possible interventions, for which performance art has become a unique field. In this 4-week workshop we explore the meaning, impact, and possibilities of performing gender. Using the foundational theories of Judith Butler and Jack Halberstam, in dialogue with the participants’ lived experience, we will examine how society demands gender normativity, and how queer performances of gender can be used as acts of resistance. Starting from the potential found in Halberstam’s idea of ‘queer failure’, we will navigate the space between the personal and the political to develop artistic vocabularies of articulating gender.
Each session combines discussion of the provided references with physical and imaginative exercises. Participants will begin by exploring their own gendered performances and their inherent frictions. From there, we will adopt drag as a possible artistic strategy. Eventually participants will be invited to interrogate the political and performative texture of the gendered body in performance

How To Apply:

enroll online at https://ecc-performanceart.eu/gender

Contact Email:info@ecc-performanceart.eu
Website: https://ecc-performanceart.eu/gender


These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Artist Residency Mexico: Casa Wabi 2026 Deadline June 14

Live and work in Oaxaca with room and board support and a community-based project

The artist residency at Mexico’s Casa Wabi, 2026 open call, invites artists from around the world to apply for a fully supported residency in Puerto Escondido, Oaxaca. Organized by Fundación Casa Wabi in collaboration with ArtReview, this residency prize supports three artists to develop work in direct dialogue with local communities. The program focuses on exchange, context, and sustained engagement over a five to six-week period in 2027.

This residency is structured around community interaction. Artists are expected to propose and carry out a project that engages with local participants. The emphasis is on reciprocal exchange rather than production output. The program provides housing, meals, and working space, along with project support. Artists must arrive prepared to adapt their ideas in collaboration with Casa Wabi’s team and the community context.

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Opportunity Snapshot

What: Residency prize for three artists to develop a community-based project
Who: Artists of any discipline, any nationality, any career stage; collectives up to two members
Where: Puerto Escondido, Oaxaca, Mexico
Award / Support:

Want the Strategy Behind This Application

This call is structured around community exchange, site responsiveness, and the ability to translate an existing practice into a reciprocal project. Most applications fail at the level of structure, where proposals remain conceptual and do not define how interaction unfolds. Strategy Coach Notes break down how to construct the project as a working system, how reviewers assess alignment with Casa Wabi’s conditions, and how to structure a proposal that can be executed within the residency.

About the Opportunity

Fundación Casa Wabi has built an internationally recognized residency program that integrates architecture, landscape, and socially engaged artistic practice. Located on a 65-acre site in Oaxaca, the foundation hosts artists working across disciplines. The residency emphasizes connection between artists and local communities rather than isolated studio production.

The structure of the residency requires each participant to develop a community project. These projects operate through exchange and collaboration. Artists enter into an existing social context and are expected to respond to it. Proposals are reviewed based on artistic quality, alignment with Casa Wabi’s ethos, and the strength of the proposed engagement. Selected artists work alongside other residents and coordinate their timeline with the institution.

What Is Offered

  • Residency placement for three selected artists
  • Local flight within Mexico from Mexico City to Puerto Escondido
  • Private bungalow with bathroom
  • Studio workspace
  • Three meals per day
  • Support for a community-based project
  • Integration into an international residency cohort
  • Access to Casa Wabi’s site and facilities
  • Inclusion in the Casa Wabi archive through a final “Log” or “Bitácora”

Who Should Apply

This opportunity is open to artists working in any discipline. The structure favors artists who already work with social contexts, collaboration, or participatory formats. Applicants must be prepared to adapt their work to a specific place and community. The proposal must demonstrate a clear approach to exchange and engagement.

Collaborative applications are accepted. Groups must be limited to two members and show a documented history of working together. Individual artists should demonstrate a consistent practice and the ability to translate their work into a community-based format.

Timeline

Applications open May 11 and close June 14, 2026. Selected artists will be notified on July 27, with a public announcement on July 31. Residencies take place in 2027. Exact dates are determined in coordination with Casa Wabi. Participants are expected to commit fully to the agreed residency period.

Why This Opportunity Matters

This residency operates with a clear framework. It prioritizes exchange, context, and sustained presence. Artists are asked to shift from individual production toward collaborative processes. The structure supports artists who want to test how their work functions in a specific social environment.

The program removes daily living costs and provides a defined structure for engagement. It creates conditions for artists to work within a community while maintaining access to studio space. The required final “Log” ensures that each residency contributes to a growing archive of artistic responses to the site.

Apply

Official application link:
https://airtable.com/app4c71qDGKMH853e/pagsSwcKgp7e1QS7l/form1

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Open Call: CPR Fall Movement 2026 Spring Movement 2027, New York

Open Call CPR – $350 honorarium plus production support for short performance works.

Dance Open Call CPR Fall Movement 2026 Spring Movement 2027 offers artists an opportunity to present new work in a curated shared program at CPR in Williamsburg, Brooklyn. The program supports short-form work across dance, performance, and time-based practices, with an emphasis on experimentation and new approaches to form. Selected artists will present their work as part of a two-night program in either December 2026 or March 2027, within a structure that brings multiple artists together in a single curated event. The opportunity includes a modest honorarium, limited production support, and access to CPR’s technical and rehearsal resources. Artists apply with a specific project and are selected through an open call reviewed by an independent panel.

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Opportunity Snapshot – Open Call CPR

What: Open call for short performance works
Who: Individual artists, collectives, or companies
Where: CPR, Williamsburg, Brooklyn, New York
Award / Support: $350 honorarium; up to $100 production reimbursement; technical rehearsal; rehearsal space
Deadline: Monday, May 18, 2026, at 5:00pm EST
Official Link: https://www.cprnyc.org/events/opencall-fallmovement2026-springmovement2027
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-157625930

Want the Strategy Behind This Application

This call is structured around collaboration, technical clarity, and transformation of practice. Most applications fail at the level of positioning. Strategy Coach Notes break down how to approach each criteria, what the panel is evaluating, and how to structure a competitive proposal.

About the Open Call CPR

Fall Movement 2026 and Spring Movement 2027 are structured as two distinct presentation programs at CPR, each featuring five selected works. Each artist presents their work across two evenings within an identical program format. This creates a shared viewing structure where audiences encounter multiple works in sequence, and artists are positioned in relation to one another within a curated frame. The format prioritizes concise works that can hold attention within a mixed bill, with each selected project limited to a duration of 15 to 20 minutes.

The program is shaped through an open call process and curated by an independent panel. CPR defines the opportunity as a space for experimentation, with a clear emphasis on work that engages risk, curiosity, and new modes of embodiment. The selection criteria point toward projects that are in active development or positioned within a specific moment of an artist’s practice, where presentation at CPR contributes to the evolution of the work. The application asks artists to articulate why this venue is relevant to the project and how the opportunity aligns with their current stage of practice.

What Is Offered in Open Call CPR

  • $350 honorarium per selected project
  • Up to $100 reimbursement for production expenses including materials and transport
  • 2-hour technical rehearsal with CPR production staff
  • 2 hours of rehearsal time in CPR studios, based on availability
  • Presentation across two evenings in a curated program

Who Should Apply to Open Call CPR

Individual artists, collectives, or companies may apply
Undergraduate students who have yet to complete their degrees are not eligible to apply
Artists who have been presented in Fall Movement or Spring Movement at CPR within the last five years may not apply
Applicants must not require US visa support and should not expect travel, accommodation, or living expenses to be provided

Timeline

Application Opens: Not listed
Deadline: Monday, May 18, 2026, at 5:00pm EST

Why This Opportunity Matters

This opportunity offers a defined entry point into a New York performance context through a curated program structure. The format supports short works that can circulate within mixed bills, a common structure across festivals and independent performance venues. The financial support is limited, and the absence of travel or housing support places responsibility on the artist to self-fund participation beyond the honorarium. The value of the opportunity is tied to presentation context, peer visibility, and alignment with CPR’s curatorial framework. Artists working with concise performance formats or developing work that benefits from iterative public presentation may find this structure aligned with their process.

Apply

https://www.cprnyc.org/events/opencall-fallmovement2026-springmovement2027

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€13,000 Curatorial Fellowship – Akademie Schloss Solitude Curatorial 10 Month Fellowship, Stuttgart Germany

€13,000 total funding, housing, and a 10-month international fellowship.

The Akademie Schloss Solitude Curatorial Fellowship offers three funded fellowships for curators to develop independent curatorial work in Stuttgart, Germany. The Akademie Schloss Solitude Curatorial Fellowship supports curatorial practice within an international, interdisciplinary residency environment. The program is structured as a 10-month fellowship running from September 2026 to June 2027, requiring continuous presence in Stuttgart and active participation in the Akademie’s artistic and discursive life. Fellows are invited to develop and realize curatorial projects that operate within the Akademie’s framework, which emphasizes exchange, collaboration, and the production of public-facing formats. The fellowship situates curatorial work within a broader field that includes art, science, technology, and society, and it expects projects to engage across these areas through clearly defined formats such as exhibitions, events, publications, or discursive programs.

The Akademie Schloss Solitude provides a context where curatorial practice is understood as a method of structuring relationships between artists, works, ideas, and audiences. Fellows work alongside an international and multidisciplinary group of residents, creating opportunities for exchange that inform the development of their projects. The fellowship includes financial support through a monthly stipend of €1300, totaling €13,000 over the full duration, along with a furnished live and work studio, access to workshops and libraries, and additional support such as travel reimbursement and material funding. These resources are designed to support focused development while enabling engagement with the Akademie’s program and the local context in Stuttgart and the Baden-Württemberg region. The fellowship also requires participation in internal and public formats, contributing to the visibility of the work and its integration into the Akademie’s ongoing activities.

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Opportunity Snapshot

What: Curatorial fellowship (3 positions)
Who: Curators with 3–5 years of independent practice based in Germany
Where: Stuttgart, Germany
Award / Support: €1300/month stipend (total €13,000), furnished studio, travel reimbursement, material support, insurance support, access to workshops and libraries
Residency Duration: 10 months (September 2026 – June 2027)
Deadline: May 22, 2026
Official Link: https://www.akademie-solitude.de/de/news/ausschreibung-von-drei-stipendien-fuer-kuration/
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-157622036?

Want the Strategy Behind This Application

This call is structured around collaboration, technical clarity, and transformation of practice. Most applications fail at the level of positioning. Strategy Coach Notes break down how to approach each criteria, what the panel is evaluating, and how to structure a competitive proposal.

About the Opportunity

Akademie Schloss Solitude offers three curatorial fellowships within its international and transdisciplinary residency program. Fellows are invited to further develop their curatorial practice independently while working in exchange with an international group of artists and researchers.

The fellowship is situated at the intersection of art, science, technology, and society. Curating is understood as a practice that connects people, artistic work, discourse, and the public. Fellows develop and realize projects while contributing to the Akademie’s program and engaging in collaborative processes.

What Is Offered

• €1300 monthly stipend for living expenses (total €13,000)
• Furnished live/work studio with utilities included
• One-time travel reimbursement for arrival and departure
• Material cost support
• Health insurance coverage for non-EU participants
• Access to workshops (wood, metal, video/VR) and libraries
• Exchange within an international, multidisciplinary fellowship community

Who Should Apply

Applicants must meet the following criteria:

• 3 to 5 years of independent curatorial practice
• Proven track record of realized projects
• Very good German and English language skills
• Residence in Germany for at least two years
• Existing network in Baden-Württemberg or interest in developing one

Applicants must be continuously present in Stuttgart for the full duration of the fellowship. Students are not eligible, except doctoral candidates.

Timeline

Deadline: May 22, 2026

Why This Opportunity Matters

This fellowship provides sustained time, funding, and institutional support for curators working independently. The structure combines financial support, housing, and access to facilities with an international network, creating conditions for focused development and exchange.

Apply

https://www.akademie-solitude.de/de/news/ausschreibung-von-drei-stipendien-fuer-kuration/

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Just Tech Fellowship: $60,000 Artist Fellowship for Technology and Society

Fellowship – Just Tech Fellowship, Brooklyn, United States

Up to $60,000 for artists, researchers, and practitioners working on technology and society.

The Just Tech Fellowship is a one-year fellowship from the Social Science Research Council for researchers, artists, and practitioners working at the intersection of technology and society. The Just Tech Fellowship supports rigorous, original, and community-grounded work that addresses questions about how technology shapes society and public life. Fellows receive an unrestricted award of up to $60,000, with additional cohort structure, mentoring, and network access.

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Opportunity Snapshot

What: The Just Tech Fellowship supports rigorous, original, and community-grounded work that addresses pressing questions about how technology shapes society and public life.
Who: Citizens of any country may apply. Fellows must reside in the United States for the duration of the fellowship year. Individuals currently enrolled as full-time students are not eligible to apply.
Where: United States. SSRC is based in Brooklyn, New York.
Award / Support: One-year unrestricted award of up to $60,000; monthly virtual gatherings; individualized mentoring; one in-person workshop; possible collaboration funding of up to $5,000; ongoing access to the Just Tech network.
Eligibility: Any Nationality. Must reside in the US for the duration of the Fellowship. Individuals currently enrolled as full-time students are not eligible to apply.
Residency Duration: January 2027 through December 2027.
Deadline: June 28, 2026, at 11:59 p.m. EST.
Official Link: https://www.ssrc.org/programs/just-tech/just-tech-fellowship/
Strategy Coach Note: https://www.patreon.com/posts/strategy-coach-157552699?

Want the Strategy Behind This Application

This call is structured around collaboration, technical clarity, and transformation of practice. Most applications fail at the level of positioning. Strategy Coach Notes break down how to approach each question, what the panel is evaluating, and how to structure a competitive proposal.

About the Opportunity

The Social Science Research Council invites proposals from researchers working at the intersection of technology and society for the Just Tech Fellowship. The program is designed for researchers, artists, and practitioners whose work advances thoughtful, practical, and imaginative approaches to how technology is designed, governed, and experienced in public life.

The fellowship welcomes applicants from a wide range of fields, methods, and career paths. The source lists artists, journalists, community-based researchers, social scientists, humanists, technologists, and others whose work expands public understanding of technology and contributes to more informed and accountable technological futures.

What Is Offered

  • A one-year unrestricted award of up to $60,000
  • Support for research, creative practice, or community-engaged work
  • Fellowship period from January 2027 through December 2027
  • Monthly virtual gatherings
  • Individualized mentoring
  • One in-person workshop
  • Opportunity to apply for up to $5,000 in collaboration funding with other Just Tech fellows
  • Ongoing access to the Just Tech network beyond the award year

Who Should Apply

Citizens of any country may apply. Fellows must reside in the United States for the duration of the fellowship year. The Social Science Research Council does not sponsor visas and may not be listed as an immigration sponsor.

There are no formal degree requirements. Applicants may hold academic credentials or demonstrate a sustained record of research, creative practice, or public-facing work in their field.

Applicants should demonstrate engagement with substantive questions related to technology and society. Individuals currently enrolled as full-time students are not eligible to apply.

Timeline

  • Application Portal Opens: April 27, 2026
  • Application Portal Closes: June 28, 2026
  • Selected Fellows Notified: November, 2026
  • Fellowship Period: January 2027 through December 2027

Why This Opportunity Matters

The Just Tech Fellowship offers flexible support for artists and researchers developing work about technology, governance, public life, creative practice, and social impact. The unrestricted structure allows fellows to support time, research activities, travel, equipment, or other project needs. The fellowship also gives participants access to mentoring, cohort exchange, and the wider Just Tech network.

Apply

Apply through the official SSRC page:
https://www.ssrc.org/programs/just-tech/just-tech-fellowship/

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Visit
https://contemporaryperformance.com/opportunities/

We regularly publish artist opportunities, open calls, residencies, commissions, performance reviews, festival highlights, Reading the Field essays, and artist development resources.

$50,000 Artist Grant – Ellis-Beauregard Choreographer Award, United States

$50,000 award with presentation support in Maine.

The Ellis-Beauregard Choreographer Award is a national funding opportunity offering $50,000 to a contemporary choreographer. The Ellis-Beauregard Choreographer Award supports the staging of an evening of work in Maine in partnership with Portland Ovations through its Raising the Barre initiative. The award combines financial support with a structured presentation context and production assistance.

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What: Ellis-Beauregard Choreographer Award
Who: Permanent residents of the United States, age 18+
Where: Maine, United States
Award / Support: $50,000 award; presentation with Portland Ovations; presentation tech, lodging, local transportation, marketing; artist retains remaining funds beyond expenses
Residency Duration: Program determined based on venue and production scale
Application Opens: May 1
Deadline: June 1, 2026, or when the 300 submission cap is reached, whichever comes first
Official Link: https://www.ellis-beauregardfoundation.org/choreographer-award/
How To: https://www.patreon.com/posts/strategy-notes-157180862

Want the Strategy Behind This Application

This call is structured around collaboration, technical clarity, and transformation of practice. Most applications fail at the level of positioning. Strategy Coach Notes break down how to approach each question, what the panel is evaluating, and how to structure a competitive proposal.

About the Ellis-Beauregard Choreographer Award

The Ellis-Beauregard Choreographer Award provides one national award to a choreographer working in the United States. The award is structured around both funding and presentation. The selected artist will present an evening of work in Maine, organized in partnership with Portland Ovations.

The presentation is part of the Raising the Barre initiative. The program is determined in relation to the venue, scale, and production needs. The award does not require a specific format or new creation. The recipient may present existing work or structure an evening based on their current practice.

The award includes support from Portland Ovations, which manages the presentation framework. This includes production coordination, technical support, and audience-facing elements. The artist works within this structure while maintaining control over the artistic content and format.

What Is Offered

  • $50,000 award
  • Presentation opportunity in Maine
  • Partnership with Portland Ovations
  • Technical support for the presentation
  • Lodging during the presentation period
  • Local transportation
  • Marketing and promotion
  • Production management by the presenting partner
  • Retention of remaining funds after expenses

Who Should Apply

  • The competition is only open to permanent residents of the US who are 18 years of age or older.
  • Artists at any stage of their careers are welcome to apply.
  • Applicants who are currently enrolled or will be enrolling in degree-granting programs are ineligible.

Timeline

Application Opens: May 1
Deadline: June 1, 2026, or when the 300 submission cap is reached, whichever comes first

Financial Structure

The award provides a total of $50,000. The artist is responsible for managing how those funds are allocated across the project.

The recipient is responsible for all artist fees, travel to and from Maine, and production elements required to stage the work. This includes performers, collaborators, and materials.

Portland Ovations provides presentation-specific support. This includes technical infrastructure, lodging, local transportation, and marketing. These elements reduce the logistical burden of presenting the work in Maine.

Any funds remaining after covering production and travel expenses are retained by the artist. The award functions as both production support and artist income, depending on how the budget is structured.

Why This Opportunity Matters

This award delivers a high funding amount within choreography. It includes a presentation partner with an established infrastructure. The structure allows for flexibility in how the work is composed and presented while maintaining a defined production context.

The submission cap introduces urgency. Applications close once 300 submissions are received. Early submission increases the likelihood of consideration.

Apply

https://www.ellis-beauregardfoundation.org/choreographer-award/

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