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Discussion: Why I Make Live Art (When I’m Not Making The Others) Panel at The Invisible Dog (NYC)

By Caden Manson (Editor In Chief)on
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"Reverse Chronology: What to do with Dormant Photographs," A performance lecture, part of an epistolary novel.

WHY I MAKE LIVE ART (WHEN I’M NOT MAKING THE OTHERS)
Wednesday, February 1, 2012 7:00pm
The Invisible Dog
51 bergen street, Brooklyn, NY 11201

WHY I MAKE LIVE ART (WHEN I’M NOT MAKING THE OTHERS) will be an evening of current explanations by contemporary performance makers around the siren call of “liveness” in art practice. The diverse panel will include art duo Jake Margolin and Nick Vaughan, actor-writer Laine Rettmer, poet/photographer/conceptual artist Ariel Goldberg, video/theatre artist Michael DeAngelis and Renaissance man Chris Giarmo. Artists will present prepared statements and manifestoes in response to the evening followed by a moderated conversation with curator Jess Barbagallo.

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Caden Manson (Editor In Chief)
Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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