Performance Cabaret

In Performance: Chapman/Sirna-Frest, Welcome to the Gun Show (Exponential Festival)

Welcome to the Gun Show: a Chekhovian Song Cycle Julia Sirna-Frest/Shane Chapman/Patrick Vassel Exponential Festival, Slipper Room January 14-15 Composers Julia Sirna-Frest and Shane Chapman lit up the Slipper Room in Welcome to the Gun Show, an hour-long set of original songs with lyrics exclusively from Chekhov’s writings. Before diving in, Sirna-Frest explained the concept behind the set and invited the packed crowd to “sit back and enjoy the melancholy.” Melancholy was certainly to be had, with most of the many-membered band dressed in mourning-for-my-life black, playing songs focused on unrequited love, getting old, and wanting to go to Moscow. But a whole lot of fun was to be had, too. Sirna-Frest provided vodka and sno balls between songs, and listening to the songs themselves becam...

5 Currents In Contemporary Performance To Know (Free PDF)

Each year Currents focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource for practitioners. This year’s topic is contemporary performing artists and companies pushing the formal relationships of architecture, artist, and audience. For this paper, the Think Tank chose five areas on the forefront of this research to explore; Contemporary Choreography, Mixed Reality Performance, Performance Cabaret, Immersive Theatre, and Social Engaged Art. Each section of this paper includes an introduction to the specific practice, a conversation with an artist, and a list of artists working in and around the specific practice. Currents is published by Contemporary Performance and edited by Caden Manson...

Performance Cabaret: In Conversation with Erin Markey

Erin Markey makes music, shows and videos. She has shown work at Under the Radar Festival, A.R.T., New Museum, PS 122, New York City Comedy Festival, Ars Nova, Lincoln Center Director's Lab, UCBeast, Bard Spiegeltent, Tasmania's Festival of Voices, San Francisco Film Society and frequently at Joe's Pub at the Public Theater.  She is the recipient of a Franklin Furnace Grant, a NYFA Cutting Edge Artist Award, an Eliot Norton Award for Outstanding Performance and is frequently recognized by Time Out New York as a Top Ten Cabaret Artist. She was listed in Artforum's Top Ten Best Music of 2016.  Her musical, A Ride On The Irish Cream, co-composed with Emily Bate and Kenny Mellman, premiered at Abrons Arts Center in January 2016 and was co-presented by Abrons and American Realness Festival. Iri...