Share This Post

In Performance

In Performance: “WINGING IT” IN HIGH HEELS AND A BLINDFOLD: A Discussion with Ishmael Houston-Jones, Mark Russell, Terry Fox, and Lucy Sexton (NYC)

Fri, Sep 24, 2010 ay 7:00 PM
New Museum Theater (directions)
New York

A presentation and panel discussion around the performance works of master improviser Ishmael Houston-Jones, “WINGING IT” will include a screening of scenes from Houston-Jones’s past works. Following the screening, performance artist of Dance Noise fame Lucy Sexton will moderate a discussion with Houston-Jones, Under the Radar Curator and former P.S.122 Artistic Director Mark Russell, and Philadelphia Dance Project Executive Director Terry Fox.

Ishmael Houston-Jones is a choreographer, author, performer, teacher, and arts activist. His improvised dance and text work has been performed in New York City, across the United States, in Europe, Canada, Australia, and Latin America. Houston-Jones’s Nowhere, Now Here was commissioned for Mordine and Company in Chicago in spring 2001 andSpecimens was commissioned for Headlong Dance Theater in Philadelphia in 1998. In 1997 he was the choreographer for Nayland Blake’s Hare Follies at the Brooklyn Academy of Music. From 1995–2000 he was part of the improvised trioUnsafe/Unsuited with Keith Hennessy and Patrick Scully. In 1990 he and writer Dennis Cooper presented The Undead at the Los Angeles Festival of the Arts. In 1989 he collaborated with filmmaker Julie Dash on the video Relatives, which was aired nationally on the PBS series “Alive From Off-Center (Alive TV).” In 1984 Houston-Jones and Fred Holland shared a New York Dance and Performance Bessie Award for their Cowboys, Dreams and Ladders.

Terry Fox, Executive Director of Philadelphia Dance Projects, is a former choreographer and dancer. As an artist she was one of the first in Philadelphia to explore postmodernism with improvisational structures in performance as well as a pioneer of the Old City loft district that later was developed into an arts district. She often collaborated with choreographer/dancer Ishmael Houston-Jones and musicians Charles Cohen and Jeff Cain. As curator she founded the Dance With The Bride series at the Painted Bride Art Center, where she was on staff from 1977–83, and again from 1993–2000. In the interim she was Managing/Artistic Director of Danspace Project at St. Mark’s Church in-the-Bowery. She has served on numerous boards and panels and taught as adjunct faculty at various colleges and universities. She has a BA from New York University (’83) and participated in the Whitney Museum of American Art’s Independent Study Program (’84).

Mark Russell works with the Public Theater In New York City as an Associate Artistic Director and is the head of the Public’s new Devised Theater Initiative. Russell produced the Under the Radar Theater Festival (UTR) in collaboration with the Association of Performing Arts Presenters premiering at St. Ann’s Warehouse in January 2005. The festival moved to the Public Theater in 2006. In 2007 UTR expanded to a two-weekend format and it continues on as a core part of the Public Theater’s season today and a valuable pre-conference event for Arts Presenters. The next festival is January 5–16, 2011. From 1983–2004, Russell was the Executive Artistic Director of Performance Space 122 (P.S. 122). He was lucky enough to work with Ishmael Houston-Jones through out that tenure, including him in the P.S. 122 Field Trips touring program as well as many other adventures.

Lucy Sexton has worked in the performing arts in different capacities for more than twenty-five years. She recently developed and directed Tom Murrin’s The Talking Show; The Magical Ridiculous Journey of Alien Comic at Performance Space 122. With Anne Iobst, she co-created the award-winning dance-performance group DANCENOISE, which performed extensively in New York (Pyramid Club, LaMama, Performance Space 122, Lincoln Center), in the UK (The Green Room, Duckie, Glasgow’s Mayfest, national tour with Queer Up North), and around the world (Israel, Mexico, France, Germany, Japan). In 2007, working with Kathleen Russo, she developed and directed the Obie-Award winning off-Broadway show, Spalding Gray, Stories Left to Tell. Sexton also produced Charles Atlas’s documentary The Legend of Leigh Bowery for the BBC and Arte, and is currently producing a new documentary by Charles Atlas on Antony and the Johnsons. She has also recently taken on the task of producing the NY Dance and Performance “Bessie” Awards. As a performer she has appeared in the work of Alien Comic, Charles Atlas, David Gordon, Jo Andres, Mimi Goese, Heidi Dorow, Steve Buscemi and Mark Boone Jr, Ishmael Houston-Jones, Richard Move, Sarah Schulman, and Alain Buffard among others. Performing as The Factress for the past ten years, Sexton hosts a randomly occurring live talk show, The Lucy Show, with co-host Mike Iveson, a.k.a. Vendetta “Baby Asparagus” K. Starr.

The Project:

THEM AND NOW: Ishmael Houston-Jones with Chris Cochrane and Dennis Cooper

Friday, September 24, 7 p.m. – “WINGING IT” IN HIGH HEELS AND A BLINDFOLD
Friday, October 1, 7 p.m. – US V THEM: A Showcase of Young Improvisers
Friday, October 8, 7 p.m. – SOUND CHECK ’86
Thursday, October 14, 7 p.m. – DENNIS AND THE BOYS
Additional open rehearsals during regular exhibition hours

Over the course of an extended rehearsal process at the New Museum, director/choreographer Ishmael Houston-Jones revisits the seminal work THEM, an intensely visceral interdisciplinary collaboration with Dennis Cooper (text) and Chris Cochrane (music), originally presented at Performance Space 122 in 1986. The rehearsals at the New Museum culminate in a series of programs collectively titled THEM AND NOW, exploring the artistic impulses that propelled the creation of this “aggressive and vital” (Village Voice) performance work and its reconstruction twenty-five years later. Immediately following the New Museum residency, THEM will have its 2010 premiere at Performance Space 122 October 21–30, 2010.

Cast: Joey Cannizzaro, Felix Cruz, Jeremy Pheiffer, Niall Noel, Jacob Slominski, Arturo Vidich, Enrico Wey
Lighting Design: Joe Levasseur

Ishmael Houston-Jones has been a fixture of the New York dance community for more than three decades. His intensely personal and physically exhausting improvisations helped to redefine the language of dance in the post-Judson Church 1980s and continue to set a standard for authenticity and vulnerability on stage. As a curator, teacher, and writer, Houston-Jones has nurtured the voices of many emerging choreographers, performance artists, and artists from other disciplines, several of whom have gone on to become collaborators.

THEM TODAY: Open Rehearsals
September 22–October 5
Hours vary (please check this Web site for updates)
Free with Museum admission

THEM TODAY is a series of open rehearsal hours that will allow the public an unprecedented glimpse into the recreation of this seminal work. For the RE:NEW RE:PLAY reconstruction residency, the three creators have recast THEM with a new generation of male performers. Is the social/political climate of 1985 so different than that of today? Will the poetics of the work resonate in the same way? What does it mean to revive a work that was largely improvisational? These are some of the questions Houston-Jones and his collaborators are wrestling with in this process. Come see for yourself how they are doing.

Share This Post

Caden Manson is Editor In Chief and Curator of Contemporary Performance Network and co-founder and artistic director of Big Art Group, a New York City performance company founded in 1999.
%d bloggers like this: