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In Performance: Rude Mech’s The Method Gun at DTW (NYC)

Rude Mechs
The Method Gun
Dance Theater Worshop (NYC)
Mar 2 – 5, 8 – 12 at 7:30pm, Mar 5, 11 at 10:30pm
Wed – Sat, Tue – Sat
$30 Tickets

The Method Gun explores the life and techniques of Stella Burden, actor-training guru of the 60s and 70s, whose sudden emigration to South America still haunts her most fervent followers. Ms. Burden’s training technique, The Approach (often referred to as “the most dangerous acting technique in the world”), fused Western acting methods with risk-based rituals in order to infuse even the smallest role with sex, death and violence. A play about the ecstasy and excesses of performing, the dangers of public intimacy and the incompatibility of truth on stage and sanity in real life.

Using found text from the journals and performance reports of Stella Burden’s company, “The Method Gun” re-enacts the final months of her company’s rehearsals for their nine-years-in-the-making production of “A Streetcar Named Desire.” Stella left the company under mysterious circumstances in 1972. Diaries and letters from actors in the company express a sense of desperation, inadequacy, and frustration inherent to the process of creating meaningful work for the stage and in everyday life. Set amid swinging pendulums and talking tigers, “The Method Gun” bounces between interior monologues, rehearsal sequences of “Streetcar,” and group interactions – all gleaned from historical documents – to express a longing for the return of inspiration and a more believable presentation of self in everyday life.

About Rude Mechs

Since 1995, Rude Mechs has created a mercurial slate of original theatrical productions that represents a genre-defying cocktail of big ideas, cheap laughs, and dizzying spectacle. What these works hold in common is the use of play to make performance, the use of theaters as meeting places for audiences and artists, and the use of humor as tool for intellectual investigation. They tour these performances nationally and abroad; maintain The Off Center, a performance venue in Austin for arts groups of every discipline; present nationally recognized artists; and run Grrl Action, a year-round arts mentoring program for teenage girls.

In 1999, Rude Mechs assumed the management of The Off Center, a performance warehouse in East Austin. The Off Center houses a flexible 100-seat theatre, the administrative offices of Rude Mechs, and studios for visual artists. In 2010, they renovated and opened The Off Shoot, a classroom dedicated to the work of Grrl Action, their year-round arts mentoring program for teenaged girls. The quality and innovation of the company’s theatrical productions have firmly established Rude Mechs as one of Austin’s most highly valued cultural assets.

Rude Mechs is an ensemble-based theatre company that operates with a full company of 28 members. They create original plays that they produce in Austin, TX, and tour nationally and internationally. Their touring productions include “The Method Gun”, “Get Your War On”, “How Late It Was, How Late”, “Cherrywood”, and “Lipstick Traces.” Our Off-Broadway productions include “Get Your War On” and “Lipstick Traces.” Our production “The Method Gun” was selected for the 34th Annual Humana Festival of New American Plays. (from the company’s website)

 

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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