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Featured: Dance Technology and Circulations of the Social, Version 2.0

Dance Technology and Circulations of the Social, Version 2.0
Thursday, April 21 7:00 pm
Friday, April 22 8:30 am – 10:00 pm
Saturday, April 23 9:00 am – 10:00 pm

MIT Media Lab, 6th floor
,
75 Amherst Street, Cambridge (Building E14)
*This event is free of charge and open to the public.
No registration required.

In recent years, technological innovations have given rise to a new field, dance technology. Populated by artist-practitioners, technologists, and theorists, this new area encompasses performance, research and development of video game technologies, motion capture experimentation, and dance for the camera. For some time, work in dance technologies has advanced without a recognizable critical dialogue in the United States. This began to change in October 2009, when the World Performance Project at Yale, in collaboration with SLIPPAGE: Performance|Culture|Technology in residence at MIT, convened an international cohort of artists and scholars for a one-day meeting at Yale. That event, “Emergent Global Corporealities: Dance Technologies and Circulations of the Social,” brought artistic creation, comparative media theory, and emergent technologies together with considerations of the social and corporeal.

This group reconvenes at MIT in April with additional participants for Version 2.0. “Dance Technologies and Circulations of the Social @ MIT” brings a dozen researchers to MIT to present their original media-focused research. The two-day symposium includes various readings, demonstrations, and small-scale performances, culminating in an anthology of writings to be edited by the conference conveners.

The symposium conveners are Thomas F. DeFrantz, Professor, Music and Theater Arts at MIT and Harmony Bench, Assistant Professor at the Ohio State University.

Confirmed Participants Include:
Johannes Birringer, Chair in Performance Technologies, Brunel University
Melissa Blanco Borelli, Lecturer in Dance and Film Studies, University of Surrey
Maaike Bleeker, Chair, Performance Studies, University of Utrecht
Ian Condry, Associate Professor, MIT
Scott deLahunta, Independent Artist, Berlin
Simon Ellis, Independent Artist, London
Jason Farman, Assistant Professor, Washington State University
Susan Kozel, Professor, University of Malmo
Petra Kuppers, Associate Professor, University of Michigan
Nick Monfort, Associate Professor MIT
Chris Salter, Associate Professor, Concordia University
Marlon Barrios Solano, Independent Researcher, Dresden
Jaime del Val, Independent Artist, Barcelona
Maria X (Maria Chatzichristodoulou), Lecturer, University of Hull

This event is presented in conjunction with the Boston Cyber Arts Festival.

 

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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