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Featured: MGM (Brooklyn, NYC)

MGM has been making highly structured dances since 2005. The project has developed as a touring machine, taking a single dance and performing it within and across dozens of spaces, mobilizing the audience, site, context, and choreography through this encounter. MGM’s creative premise critically engages with the intensive states and spaces of performance. The work imagines venues in the most unpredictable of locales, and manipulates the sonic, sensorial, and visual dimensions imbedded in sites both frequented and forgotten. MGM’s inception in a one-car garage in San Francisco continues to hold steadfast as an apropos metaphor, depicting their modus operandi as a touring project committed to the singularity of a dance through its multiple, repetitious, and unfixed performances. Every rendition is in relation to a series. MGM promotes a transient, flexible, mobile relationship with a dance, whose accumulating versions take form as craft, thing, way, and bodily experience.

MGM is Biba Bell, Jmy Leary, Piage Martin, and R McNeill.

Works:
NUT (2010 – 11)
Oneness: Making It With Love (2010)
Easy Royce (2010)
Royce (2009)
dajointe (2009)
Tonight (2009)
New Gree (2008)
THIS DANCE IS CALLED GREE, IT IS FROM BEDSTUY. (2007)
Maynard (2005)

MGM has performed at numerous places, including American Dance Festival, Durham, NC; Artissima, Turin, Italy; Bohemian National Home, Detroit, MI; Callicoon Fine Arts, Callicoon, NY; Capital Theater, Olympia WA; Creative Time OceanFront Pavilion at Art Basel, Miami, FL; Esalen Institute, Big Sur, CA; Henry Miller Library, Big Sur, CA; Jack Hanley Gallery, NY, NY; MacArthur b Arthur, Oakland, CA; Milk & Honey, Sebastopol, CA; Massachusetts Institute of Technology, Cambridge, MA; Mission Creek Music Festival, San Francisco, CA; Museum of Jurassic Technology, LA, CA; Pace Wildenstein Gallery, NY, NY; Pacific Northwest College of Art, Portland, OR; Pleasure Pad, San Francisco, CA; Shane’s llama barn, Portland, OR; Subterranean Arthouse, Berkeley, CA; The Kitchen, NY, NY; and Twin Peaks Orchard, Lincoln, CA. (from the MGM website)

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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