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Books

Books: Staging the Screen – The Use of Film and Video in Theatre

Books: Staging the Screen – The Use of Film and Video in Theatre

Staging the Screen: The Use of Film and Video in Theatre
by: Greg Giesekam

The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre’s ‘liveness’, by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work.

Table of Contents:

 

 

Introduction: Contamination or Remediation?
European Pioneers: Magic vs. Realism
Polysceicness: Josef Svoboda and Laterna Magika
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusions
Index

Where to Buy

[amazonify]1403916993[/amazonify]
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These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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