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Mover el cuerpo- deep dance research- lab context

work context:

Sweetness, stretching. Weight and property

http://laportabcn.com/blogs/carmelo/

With sweetness I refer to the rested relation (distance) and intimate way to the experimentation with the body. Enunciates the use of the flexibility between the intentions and actión o thinking and moving

The stretching, beside providing elasticity to the body and to the movements (with special attention to the radical ends and the relation between effort and rest), enunciates the use of the flexibility between the intentions and the body that develops of these.

Otherwise, to stretch the reality that we are treating to approach the trends (for ej. ways of frasear) or resistances from the smoothness or permissiveness. Weight and property are tools that act like synonymous of sweetness and stretching. The same thing is to learn to rest and the shades come given by what provokes the rest in every person. It is employed slowly at the publication of the theoretical – practical base

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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