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In Performance

In Performance: Discotropic / NIV ACOSTA at COIL16

In Performance: Discotropic / NIV ACOSTA at COIL16

Discotropic / NIV ACOSTA (USA)

WESTBETH ARTISTS COMMUNITY
55 Bethune Street; New York, NY, United States

WED JAN 6, 8:00 PM
FRI JAN 8, 5:00 PM
SAT JAN 9, 3:00 PM & 8:00 PM
SUN JAN 10, 4:00 PM

Running time: 90 minutes

Tickets:
Ticket Price: $20 / $15 Students & Seniors

Come to niv Acosta’s DISCOTROPIC expecting to be pandered to, and you’ll be disappointed. That’s just the way it should be in this performance that blends Star-Trek-flavored parable and club-kid party aesthetics with biting social commentary about the ways that black identities are constructed, performed, and consumed. The performance begins without a clear audience directive. Where to look and where to stand, what’s for us and what’s off-limits is left unclear, so we make up our own rules for viewing and consuming the work and performers on display. But despite the agency afforded us to move and consume freely, the performers remind us that we are only guests here; that our presence is incidental, superfluous, or perhaps even unwelcome. At the same time,DISCOTROPIC suggests that any sense of distance is illusory. That if you can’t connect, it’s you’re own fault; that if you think this is about you, you’re wrong. And because you’re wrong, you’re also kind of right. Like the chorus of “You’re So Vain,”DISCOTROPIC presents a conundrum. By recognizing your own self-centeredness, you repeat the mistake of being self-centered. That a performance manages to do all of this without feeling didactic, condescending, or shaming is something of a marvel. In fact, the performance feels remarkably tongue-in-cheek, even fun, with lush visuals and a sound design that defies you not to bop along. But before the audience can get swept up in club vibes or crooning vocals, the actors subvert it all. Because this piece isn’t about you. The revolution is on, with or without us.

Reviewed by Kevin Ramser (Regional Editor)

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Caden Manson is Editor In Chief and Curator of Contemporary Performance Network and co-founder and artistic director of Big Art Group, a New York City performance company founded in 1999.

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