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P4M.Online.Video.Festival.DAY07: Proto-type Theater (UK), die urbanauten (Munich, Germany)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 07

Proto-type Theater (UK)
Virtuoso (working title)

The ‘garden’ scene from Virtuoso (working title)
written/directed by Peter S Petralia
performed and devised by Mark Esaias, Gillian Lees and Andrew Westerside
music/sound design by [zygote]
lighting design by Rebecca MK Makus

Visual foley. A television show that doesn’t exist. A spot on the wall.

With Virtuoso (working title), Proto-type Theater expands on the sensual experience of their critically acclaimed Whisper into a world of televisual decadence. Three performers stage the story of a stagnant American suburbia, circa 1963, where the minutiae of everyday life has become strange: glass windows portend violence, a spot on the wall promises freedom, a stranger appears in the living room. Playing games to keep boredom at bay, they switch virtuosically from persona to persona, never content to idly wait for something to happen. Outside, the world seems to be closing in on them as the protective banality of suburbia dissolves – leaving them stranded, and exposed.

The audience witnesses the construction of this strange world on three flat screen monitors, behind which the performers can be seen assembling the backgrounds, costumes and props necessary to crafting a series of perfect images. Building the visual world in front of the audience using live video feeds, the performers also manipulate miniature figurines, houses and scenery in a play on scale that toys with the boundaries of perception. Virtuoso (working title) is a negotiation of the live and the mediated, ruminating on love, home, and perfection.

Proto-type Theater is based in Lancaster, UK and Brooklyn, NY and we make original theater and media work that tours internationally. Our recent piece, Virtuoso (working title) is touring throughout the UK where it has been hailed as “an immensely satisfying piece of culture history” and as “an exhilarating theatrical experience” by Total Theatre. Whisper toured throughout the UK and to PS 122 in New York City where it was acclaimed as “an intriguing brush with altered reality… poetic. And the production flirts with the feel of a supernatural, psychological thriller.” (New York Times). We create touring theatre/live art/media, conduct workshops and summer schools, and run networking events to create a stronger contemporary performance sector in the UK.

die urbanauten (Munich, Germany)
Moment of Starlings

Video of the second swarm happening on November 25th by die urbanauten (Munich) within the SPIELART theatre festival 2009 with the support of the Department of Cultural Affairs of the City of Munich.

Real-time theatrical happenings in real public space, which set the stage for encounters. Selforganized
performative urbanity. Swarm communication in 140 characters. A relay station coordinates the players
in the swarm. There are two channels of communication: mail-to-SMS and an event-specific twitter channel.

Moment of Starlings allows participants to communicate, discuss and distribute ideas via SMS back channel
or hash tag (such as #schwarm1). The swarm is democratic: anyone with a mobile phone or a twitter
account may suggest a location, a time or a choreography for the swarm’s performance – in advance or
in real time. The idea most often sent or “retweeted” is realized; in other words: the most democratically
popular idea prevails.

Absent spectators are not limited to real time twittering; they can watch the motions of the swarm,
which is accompanied by several mobile livestream cameras. Intervention and participation is possible
from a couch in Tokyo just as easily as from a mobile phone in the swarm. Communication sans frontières.
Genres with fuzzy borders. A communication cloud surrounds the project.

In Performance: Tere O’Connor Dance – Wrought Iron Fog June 23-26, 2010 (NYC,USA)

Tere O’Connor Dance presents “Wrought Iron Fog” at Dance Theater Workshop, June 23-26, 2010.

Photo by Yi-Chun Wu Matthew Rogers, Hilary Clark, Daniel Clifton, Heather Olson, Erin Gerken
Photo by Yi-Chun Wu Matthew Rogers, Hilary Clark, Daniel Clifton, Heather Olson, Erin Gerken

ABOUT THE WORK:

Tere O’Connor’s new evening-length work, Wrought Iron Fog, engages in a poetic interface with the convoluted ideologies of contemporary culture. Its richly layered structure flows through unexpected shifts in rhythm and mood, revealing interior psychologies ghosted behind the surface of the dance. With this work, O’Connor has created a choreographic essay on the nature of consciousness, a complex network of disparate ideas willfully wrapped in a patina of concert dance. The New York Times writes, “Mr. O’Connor seems to be charting new territory in “Wrought Iron Fog.” Much of its unassuming beauty is seen in his agility at guiding dancers through space (or is it the space that guides them?), with choreography that allows the structure to expand and shrink with a curious blend of dexterity and fervor.” Wrought Iron Fog features an original score by James Baker, lighting design by Michael O’Connor, and set design by Walter Dundervill and Tere O’Connor. The work is performed by Hilary Clark, Daniel Clifton, Erin Gerken, Heather Olson, and Matthew Rogers. Wrought Iron Fog premiered at Dance Theater Workshop in New York City, November 2009. (65-minutes)

VIDEO:

ABOUT THE COMPANY:

In his work, O’Connor attempts to bring into evidence aspects of consciousness that are present in the contingencies of dance. The complex coexistence of time passing, metaphor, constant change, tangential thought, and memory play is central to the work and delineates the spectrum of corporeal and structural choices he makes in his work. He is committed to the power of dance as a sub-linguistic area of expression and revels in its ability to braid together the personal and the universal.

O’Connor’s astounding performers and renowned collaborators constitute a family of artists who are dedicated to expanding the potency of dance as a serious art form. His boldly individualist approach to choreography has contributed new thought to the form and resonates throughout its theoretical discourse.

BLOG:

http://www.tereoconnordance.org/blog/

P4M.Online.Video.Festival.DAY06:Andrey Bartenev (Moscow, Russia), Russell Higgs (London, UK)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 06

Andrey Bartenev (Moscow, Russia)
100 games on one face” performance

Andrey Bartenev is a graphic artist, designer, author of a number of sculptural performances.

Russell Higgs (London, UK)
999 Days

A CULTURE’S POWER STRUCTURE DEPENDS LARGELY ON HOW WE LOOK AND HOW WE ARE LOOKED AT.

Between 17th July 2006 and 29th May 2009, working with mask and sculpture, Russell Higgs created a photo of himself every day.

In this project he made a commitment to abide by a series of (arbitrary) boundaries and rules, eg: each portrait must be taken between midnight of each day, they can never be shot days in advance nor in retrospect, and the default pose is as for ID cards, forward facing, and minimal expression.

P4M.Online.Video.Festival.DAY05: David Levine (Berlin, Germany), Jérémie Dres (Paris, France)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 05

David Levine (Berlin, Germany)
BAUERNTHEATER

In BAUERNTHEATER, an American method actor, who knows no German, trained to play the role of Flint, a farmer in Heiner Müller’s GDR agricultural drama, “Die Umsiedlerin.” After 3 weeks of rehearsal in a studio in Brooklyn, he was flown to rural Brandenburg, where the play is set, given 2 acres of land and 1 ton of potatoes, and asked to be “in character” for 10 hours a day, 5 days a week, for a month, planting the entire field by hand as someone else. Shot in a mix of documentary and cinematic styles, the Bauerntheater film depicts rehearsal and performance, and is its own meditation on acting, authenticity, and labor.

David Levine’s work examines the conditions of spectacle and spectatorship across a range of media. His performances, installations, videos and theater pieces have been exhibited internationlly, from Town House gallery in Cairo to Documenta XII to the Sundance Theater Lab. He will be a featured artist at MoMA’s Symposium: Audience Experiments, and just finished a two-week residency at Robert Wilson’s Watermill center for HABIT, a commission from Toronto’s Luminato Festival.

Jérémie Dres (Paris, France)
Les Hauts de Plafond on Tablographie

Tablographie is a real time visual program which interacts with soud sources.
The performer create landscape in real time composed of organisms built in codes. It s real life video program which is played in association with musicians.

Jeremie Dres is a young artist who works in the new Media Art. Most of his works explore the artificial life of visual organisms generated by computers and how it can behave with some external input such as microphone. He is also interested in the meeting of generative poetry and numeric art.

P4M.Online.Video.Festival.DAY04:Romeo Castellucci – Socìetas Raffaello Sanzio (Italy) NSYW

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 04

Romeo Castellucci – Socìetas Raffaello Sanzio

Born in 1960 in Cesena, Castellucci graduated in stage design and painting at the Academy of Fine Arts in Bologna. In 1981, he founded the Socìetas Raffaello Sanzio together with Claudia Castellucci and Chiara Guidi. In the beginning of the 80’s he focused his interest on theatre and painting, also giving some exhibitions.

Considered to be a trailblazer of avant-garde theater in Italy, Castellucci presented several performances as an author and director, also creating sets, lights, sounds and costumes. Known as an author of a theatre addressed to a “total” perception, he has written several books about dramaturgy. In 2005 he was appointed as the director of the Theatre Section of the 37th Venetian Biennale, and in 2008 he was an Associate Artist of the Avignon International Festival. Among his representative works are “Hamlet. The vehement exteriority of a mollusc’s death” (1992), “Oresteia (an organic comedy?)” (1995), “Julius Caesar” (1997), “Genesis. From the museum of sleep” (1999), “Voyage au bout de la nuit” (1999), “Il Combattimento” (2000), “Tragedia Endogonidia” (2001-04), “Hey Girl!” (2006), and Dante’s La Divina Commedia: “Inferno”, “Purgatorio” and “Paradiso”.

Romeo Castellucci.
P.#06 Paris

(I saw this live and it contains one of the most surprising moments I have every witnessed as an audience member. It comes at the end of this clip)

Romeo Castellucci
Tragedia Endogonidia #01 Cesena 2/2

Socìetas Raffaello Sanzio
Genesi from the museum of sleep – Parte I – Scena di Lucifero

Romeo Castellucci
M.#10 Marseille

P4M.Online.Video.Festival.DAY03: Kalup Linzy (USA), Ryan Trecartin (USA)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 03

Kalup Linzy (USA)
All My Churen (2003)

Second installment of the churen series and the debut of the Braswell family played by Kalup Linzy. Kalup Linzy (born July 23, 1977) is an American video and performance artist who lives and works in Brooklyn, New York. Born in Clermont, Florida, Linzy graduated from the MFA program at the University of South Florida in 2003. He also attended the Skowhegan School of Painting and Sculpture video art workshop, and in 2005 received a grant from the Louis Comfort Tiffany Foundation. Linzy was named a Guggenheim Fellow in 2007. Linzy’s best known work is a series of video art pieces satirizing the tone and narrative approach of television soap opera.[citation needed] Linzy performs most of the characters himself, many of them in drag. He also performs many of the same characters on stage. Linzy’s work has been reviewed in The New York Times, Art in America, and Artforum.

Ryan Trecartin (USA)
I-BE AREA (Pasta and Wendy M-PEGgy)

Ryan Trecartin (b.1981, Webster, Texas) is a filmmaker and artist based in Philadelphia, Pennsylvania. recartin’s work has been exhibited at The Moore Space in Miami and the Getty Center in Los Angeles Getty Center and at the Penrith Regional Gallery in Australia. Reckless Behavior (video). April 19, 2006. Retrieved September 22, 2008.. He participated in the 2006 Whitney Biennale at the Whitney Museum of American Art, and the “USA Today” exhibition at The Royal Academy in London. Trecartin was included in the 2006 Wall Street Journal article titled “The 23-Year Old Masters,” which selected ten top emerging US artists including Dash Snow, Rosson Crow, Zane Lewis, and Keegan McHargue. His work is featured in the Saatchi Gallery collection. He is represented by Elizabeth Dee Gallery in New York.
In 2009, he became the first recipient of the Wolgin Prize awarded by Tyler School of Art.

P4M.Online.Video.Festival.DAY02: Controllar (Netherlands), John Jahnke/Hotel Savant (USA)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 02

Controllar (Netherlands)
Anat Spiegel & Thomas Myrmel STEIM 2009

Controllar, art-pop duo of Thomas Myrmel & Anat Spiegel, spent two weeks in residency at STEIM, studio for electro-instrumental music in Amsterdam. The focus of this residency was to further develop the unique combination of vocals and electronics used in their live performance. Filmed and edited by Vivian Wenli Lin.

John Jahnke/Hotel Savant (USA)
The Archery Contest

The Party: Two teenagers are invited to the Reverend Kendrick’s home to celebrate an unnamed festivity. The Reverend’s wife does her best to entertain in a wholesome fashion, though the purpose of their invitation seems oddly licentious. Filmed at Performance Space 122, October 2009. Developed at 3LD Art and Technology Center. The document was filmed in performance and features Alexander Borinsky, Hillary Spector, Richard Toth, Carey Urban and Jeff Worden. Script, Direction, Design by John Jahnke. Set Design Peter Ksander. Sound Design Kristin Worrall. Lighting Design Miranda Hardy. Video Design Andrew Schneider. Costume Design Carlos Soto.

The Hotel Savant, a theatre company based in New York City, explores the livid, the uncertain, the magical and sublime: the seminal ideologies of history and mythology and their impact on contemporary narrative. Committed to mounting or developing one original work per year, they utilize a variety of performance techniques that include pageantry, dance and tableau. In addition they are dedicated to reviving obscure and rarely performed texts that correlate to present day topics. Utilizing visuals to explore the inherent root of a text, the company actively employs artists and designers with visionary interest, whose goal is to redefine standards of theatrical language and design. Works include The Archery Contest, Performance Space 122, 2009; Antonin Artaud’s The Cenci, The Ohio Theatre, 2008; Susan Sontag’s A Parsifal, Performance Space 122, 2006; Funeral Games (performance workshop), The Public Theater, 2004; The Shady Maids of Haiti, Walkerspace, 2002; Mercurius, HERE, 2001; and Lola Montez in Bavaria, HERE, 1999.

P4M Online.Video.Festival: Meg Stuart (Belgium), les ballets C de la B / Alain Platel (Belgium)

p4m.pvf.logolong

Contemporary Performance is hosting an online video festival of performance works and excerpts from 06.14.2010 to 07.02.2010. We’ve curated some of our favorite user submissions and online videos from today’s leading contemporary artists and embeded them here. The videos range in purpose and content and include rehearsal videos, process videos, performance documentation, lectures, made for video, dance on camera, video art, and vj.

DAY 01

Meg Stuart (Belgium)
BLESSED


The American choreographer and dancer Meg Stuart and the Portuguese choreographer and dancer Francisco Camacho met in New York in 89. He followed her to Belgium to dance in her debut work Disfigure Study. After that each went their own way but now theyre collaborating once more. Meg Stuart has choreographed BLESSED, a new piece with Francisco Camacho in a sound design by Hahn Rowe. In a corner of the world a man has created his own little paradise. How fragile are our mental constructions? How much illusion do we need to survive? Is mankind capable not to believe? Or is it the luxury of the privileged to escape in pipedreams? Is hope a matter of circumstances?

les ballets C de la B / Alain Platel (Belgium)
Out of Context – for Pina


Nothing up their sleeves, and nothing in their pockets. With Out of Context, director Alain Platel aims to return to the fundamentals of dance. Starting from a belief in the human body as emotional tool, as carrier of memories, as raw material for living fine art. While Platel has flirted with the boundaries of opera over the past years, with for example vsprs or pitié!, Out of Context is not a music-driven piece, and also has no set or costumes other than those the dancers can fit in their suitcases. It is however no crisis piece. It is in self-limitation that a master first shows himself. The mastery of the dancers with which Platel embarks on this adventure is indisputable. Each and every one is an impressive figure with whom Platel has travelled far over the years.

Danced and created by:
Elie Tass, Emile Josse, Hyo Seung Ye, Kaori Ito, Mathieu Desseigne Ravel, Mélanie Lomoff, Romeu Runa, Rosalba Torres Guerrero, Ross Mc Cormack

Highlights: Szene Salzburg Festival June 8-17, 2010 (Austria)

daniel aschwanden / peter stamer (vienna/berlin)
the path of money
friday, 09.07.2010 | 19:30 to friday, 16.07.2010 | 21:00

© Artist

in june, 2009 daniel aschwanden, yanfeng pei and peter stamer used their video cameras to accompany a chinese banknote on its way through china, thus also getting to know the people who spent it. with every completed transaction the three travellers changed their owner together with the bill. aschwanden and stamer record their encounters and delved into the lives of more than 30 people: what kind of a people is it that spends the “renminbi”*, the “money of the people”?

in june, 2010 the three continue their project in salzburg. they feed a marked 10 euro bill into the money flow of salzburg and follow it on its way to places and people. just like the two european performers were able to get their own view of china with the help of yanfeng pei’s translating skills, aschwanden and stamer now assist the chinese artist on his expedition – as interpreters and documentary filmers. the impressions recorded and images taken in china and austria will be presented scenically and as an installation from july 9 in the kavernen which were designed by the visual artist paul horn. the artists will be present.

from june 21, the journey of the banknote can also be followed on twitter under “thepathofmoney”.

iffat fatima (india)
ethnography of a european city:
conversations in an indian restaurant in salzburg
friday, 09.07.2010 | 19:30 to friday, 16.07.2010 | 21:00

© Artist

in her video installation “ethnography of a european city” the artist and documentary filmmaker iffat fatima, a native of cashmere in india, hits the streets of salzburg, accompanying an african asylum seeker, austrian street sweepers, tourists, artists and polyglot citizens of salzburg. as a non-european, fatima focusses on salzburg as a destination for those who are searching for the epitome of a traditional european city. this outsider’s perspective creates a fruitful discrepancy between the observer and the observed.

diego gil (buenos aires)/
tarek atoui (lebanon) /
sead dancers (salzburg et al.)
kapitel tanz outdoor
friday, 09.07.2010 | 21:30

©roberta marques

in salzburg, the art form dance is leading a rich life: practical and theoretical training, dance festivals, a variegated dance scene. this year’s sommerszene has placed a unique dance event for salzburg into the city. 50 young dancers from all over the world who live in salzburg and are trained at sead play on kapitelplatz, one of the city’s pittoresque architectural peculiarities.
the choreographer of the spectacle, diego gil comes from argentina, where dancing is an important part of the attitude towards life. he has developed movement patterns whose multiplicity and dynamics not only accentuate each dancer’s individuality, but also create an impressive overall picture. gil has worked with the young dance artists on outdoor over half a year, and developed a concept to become the exceptional dimension of a choreography for 50 dancers. the dance artists are accompanied by the lebanese composer and music performer tarek atoui, whose electronic sound cascades are activated by his movements: a highly theatrical process of unforgettable originality.
the aestival dance spectacle in front of the scenery created by fortress and dome is a statement on behalf of contemporary dance in salzburg.

caden manson / big art group (new york)
die salzburger
thursday, 08.07.2010 | 21:30

© Theo Kogan
© Theo Kogan

what do the salzburgers think about salzburg? how do social communication, neighbourhood, a democratical process work in this city? questions concerning our daily reality are put into focus by a dense and diverting visual-theatrical event next to the façade of the salzburg residence.

the form of the spectacle is uncommon, a kind of living television, a comprehensive large-scale display of our city, a projected televisual work of art in public space. the piece employs means like video clip, live action, live music and live broadcast from the salzburg residence, interviews, pictures of the city, re-enactment of public situations as well as contributions by the population of salzburg. the performance draws its power from the unique combination of film, theatre, music and action with the location. die salzburger is inspired by greek tragedy, aeschylus’ oresteia, which thematises questions regarding government, the development of legal relationships, democracy and social dialogue. because of the central participation of 40 salzburgers of various social backgrounds, the performance grants a unique view of salzburg.

this exceptional and irretrievable event was created by the visual and dramatic artists of the big art group from new york, who scrutinise the relationship between the individual and its society with the help of refined arrangement and technology. the music comes from the outstanding pop singer and dancer farrad from new york.

die salzburger is part of the big art group’s large-scale project the people,
and can also be seen as an installation named chapter 1 in the exhibition identity scan salzburg at republic.

following the performance sommerszene, the trumer brewery and the company wiberg invite for an opening party in the residence yard.

ultima vez / wim vandekeybus / mauro pawlowski (brussels)
what’s the prediction? the salzburg event
saturday, 10.07.2010 | 21:00

©pieter-jan de pue

a special ambience for a special artist: wim vandekeybus, frontman of contemporary european dance for over 20 years and uncompromising prophet of the power of movement, stages a fast-paced spectacle between dance, theatre, film and music specially for the jedermann stage on domplatz. with dancers from his company ultima vez he creates a flood of images that breaks over the audience with virtuoso acrobatics, passionate lust for movement and exploding visuals.

these tableaux vivants are borne by the powerful live music of mauro pawlowski, one of the wild eccentrics of the belgian cult band deus, with whom vandekeybus has also worked together in his last theatre production nieuvzwart. in salzburg he can be experienced with his own band pawlowskis, and highlight the lively stage performance with captivating funky rock’n’roll sounds.

The full Szene Festival program can be seen at http://www.szene-salzburg.net/index.php?id=205

In Performance: SCHWARZE JUNGFRAUEN June 2-5, 2010 (Berlin)

SCHWARZE JUNGFRAUEN

by Feridun Zaimoğlu and Günter Senkel
Directed by Neco Çelik
Ballhaus Naunynstraße
Repeat performance 2 – 5 June 2010 at 8:00 pm

Die Schwarzen Jungfrauen stehen wie ausgestellt einzeln in ihren Zellen. Das macht Anspielung auf den Voyeurismus der Mehrheitsgesellschaft auf die Minderheiten © Hülya Gürler
Die Schwarzen Jungfrauen stehen wie ausgestellt einzeln in ihren Zellen. Das macht Anspielung auf den Voyeurismus der Mehrheitsgesellschaft auf die Minderheiten © Hülya Gürler

The stage premiere of the Kreuzberg filmmaker Neco Çelik is based on a series of interviews Feridun Zaimoğlu and Günter Senkel conducted with young Muslim converts in Germany. The women they meet want nothing less than the perfect symbiosis of sex and Islam and humbly conclude that naked does not equal pagan and being bandaged from top to toe is not always a complete negation of worldly interests.

Premiered in 2006, the play caused an uproar, made it to the front page of Theaterheute and was invited to the Mühlheim Theatre Days.

“The play lets the women speak for themselves: they are candid, articulate, well-educated, energetic, self-confident and, well, dangerous. These young virgins should certainly be ’handled with care’.”
K. Riesselmann, TAZ

Starring
Javeh Asefdjah
Nermin Çelik
Melek Erenay
Pınar Erincin
Katja Zinsmeister

UA Hebbel am Ufer for Beyond Belonging – Migration² by Shermin Langhoff (March 2006).
Repeat performance stage in cooperation with Ballhaus Naunynstraße and Hebbel am Ufer.
Performing rights: Rowohlt Theater Verlag Reinbek bei Hamburg.

In Print: Yale Theater Journal Publishes Scripts of Big Art Group and Nature Theater of Oklahoma

Nature Theater of Oklahoma’s Romeo and Juliet and Big Art Group’s SOS have been published in the new issue of Theater Journal. The issue focuses on the changing nature of playwriting, the impact of the economic crisis on theater in the US and Grotowski’s anniversary in Poland.

cover

Below is a quote from the editor, Tom Sellar, about the published texts and the larger issue of publishing new playwriting.

Is all writing for the stage necessarily playwriting? What should we call the collection and arrangement of found texts — a strategy embraced by the first Internet generation, raised on pastiche and now testing its capacities onstage? Or words created by some process of research, improvisation, or collaboration that — deliberately or unknowingly — disregards constituent elements of dramatic form?

This issue began as a simple collection of enthusiasms: the two American scripts it contains, performed in 2008 and 2009 by Big Art Group and Nature Theater of Oklahoma, reflect the linguistic, thematic, and structural creativity of New York’s reinvigorated self-producing ensembles. But these two projects, shaped and defined by innovative collaborative models, led us to contemplate other questions about the evolution and fate of playwriting: what exactly does it mean to publish a script at a moment when print can no longer claim to guarantee dissemination of an artistic expression…

– Tom Sellar, Theater Journal 40:2 doi 10.1215/01610775-2009-024

© 2010 by Yale School of Drama/Yale Repertory Theatre

Table of Contents:

Up Front
Tom Sellar
Tanya Dean
Juliana Francis Kelly

A Crisis of Purpose? A Forum
Compiled and introduced by Ryan M. Davis

The Booking of the Play
George Hunka

Babes in the Woods: Big Art Group’s SOS
Jacob Gallagher-Ross

SOS
Big Art Group

Uncreative Writing: Nature Theater of Oklahoma’s Romeo and Juliet
Karinne Keithley

Nature Theater of Oklahoma’s Romeo and Juliet
Nature Theater of Oklahoma

Books
Alan Ackerman on The American Play: 1787 – 2000

Productions and Events
Kathleen Cioffi on Year of Grotowski
Stephen Nunns on Grotowski’s Local Legacies
Miriam Felton-Dansky on Chautauqua! and The Provenance of Beauty

New Links in Artists, Festivals, and Writings

Artist and Companies

Ane Lan , Kløfta, Norway
Homepage of Norwegian performance artist Ane Lan

Antonio Tagliarini (Rome, Italy)
Italian performer who’s work is developed between dance and theatre.

Band of Bless (Montreal, Canada)
Performance artist Dana Michel.

Writings and Blogs

Anna Monteverdi _LA SPEZIA (Italy)
Blog on Digital Performance with many resource links (Groups, Multimedia artists data base)

Festivals

Alkantara Festival (Portugal)
International performance festival that also hosts many meetings, residencies, and national and international co-productions

Festival TransAmériques (Montréal, Canada)
National event celebrating new works in contemporary dance and theatre, the Festival TransAmériques combines disciplines and artistic trends under cohesive programming.

Submissions

If you would like to submit a website to be included in the links pages of Contemporary Performance, please fill out the form below. The links pages of Contemporary Performance are curated with an international scope.

In general, we prefer to list:

  • Artists that have toured to at least three other countries besides their home country
  • Venues with a a focus on international presentation
  • Festivals that present at least two artists from a different country
  • Writings and Blogs can be about the general field of contemporary performance and may be more locale specific

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