New York City

Immersive Theater: In Conversation With Shasta Geaux Pop

In Conversation with Shasta Geaux Pop Interviewed by Terrence I. Mosley The Contemporary Performance Think Tank is housed in the John Wells Directing Program MFA at Carnegie Mellon University’s School Of Drama under the direction of Caden Manson. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource for practitioners. This year’s topic is contemporary performing artists and companies redefining relationships with audience and pushing the formal relationships of architecture, artist, and audience. For this paper the Think Tank chose five areas on the forefront of this research to explore; Contemporary Choreography, Mixed Reality Performance,  Performance Cabaret,...

Interview with Jen Rosenblit: Performing Process and Problematics

Jen Rosenblit has been making performance in New York City since 2005. Her Bessie Award-winning work questions intimacy inside of problematic spaces, uniting choreographies, text, and design towards philosophical quandaries. Her work has been commissioned by The Kitchen, New York Live Arts, Danspace, and others, and she has been a resident artist with Movement Research, LMCC, and others. Clap Hands was recently presented at the 2017 American Realness Festival at Abrons Arts Center, and Jen and I sat down after the closing performance to discuss the piece. The following is an excerpt of our conversation. — Sara Lyons: Tell me about the development of Clap Hands. What were your initial questions? Jen Rosenblit: Early on I was reading a lot of [Lauren] Berlant, and she said: “The reorga...