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In Performance: Pathosformel (Italy) – La timidezza delle ossa

“La timidezza delle ossa” (shyness of bones).

Nose, thigh-bone, knuckles and shoulder blade are broken up and shown through a thin epidermis revealing everything. They are phantasms altering our perception of the human body by doing a radiographical dance made up of rough-edge bones and squashed flesh. The body is reduced to its frame; physiognomy, distinguishing marks and flesh have vanished.

About:

Pathosformel is Daniel Blanga Gubbay and Paola Villani, young artists based in Milan. Their work explores new ways of using the body on stage and radically experiments with movement and visual imagery. The Timidity of Bones was created in 2007 when it won special mention at Premio Scenario, Italian theatre’s leading awards celebration. In 2008 it was an award-winner at Sezione Autonoma in Cesena, an event established by Romeo Castellucci’s Societas Raffaello Sanzio.

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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