Margo Gray

In the ancient tradition of tales of robots dealing with their feelings, the new musical Sorry Robot has a human kind of unpolished wildness. The story follows unlucky-in-love Detective Isaac Crownover as he investigates a new kind of emotional software for robots.

The Brutalist architecture of Abron’s Underground Theatre is the perfect setting for Karen Sherman’s exploration of using and being used. The stark concrete walls pair well with the simple machines employed by the performers: old-fashioned overhead projectors, an iron, pieces of wood