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In Performance: Big Art Group TAKES OVER Abrons Art Center April 15-18, 2010(NYC)

To celebrate 10 years of innovative work, Big Art Group takes over all three Abrons Art Center performance spaces with projects past, present, and future.

April 15-18, 2010
Abrons Art Center
Henry Street Settlement
466 Grand Street, NYC
t:212.598.0400 f:212.505.8329
www.abronsartscenter.org

10 Years of Big Art Video

THE SLEEP in the Experimental (NYC Premiere)

April 15-18, 2010 at 7:00pm
$15


The Sleep mixes early cinema techniques, magic lantern, concept album and Big Art Group’s Real Time Film technique into a live see-though movie adapted from M. P. Shiel’s 1901 story, “The Purple Cloud,” in which a lone explorer races to the North Pole while a poison purple cloud covers the earth. His subsequent return to the remnants of civilization drives him into a crisis of being, in a classic “last man” adventure that eerily presages catastrophic climate change. Live music by Theo Kogan, Sean Pierce, and Jemma Nelson.

FLESH TONE in the Playhouse (Preview)

April 15-18, 2010 at 8:30pm
$15

Flesh Tone Rehearsal Still

Big Art Group’s new project Flesh Tone is told through hybrid, hallucinatory storytelling influenced by steely Hollywood thrillers and filtered though the company’s breathtaking mediated performance techniques, Real Time Film and Green Screen Performance. A character-driven critique of the American way of looking at the world, Flesh Tone turns the visual economy of the US into an acid bath of self-exposure. Confronting social issues of economic and environmental degradation, a war-scarred national psyche, and transformed bodies, Flesh Tone queries Image-America about a possible path to reconciliation with its own transmogrified reflection. This live performance spans cinema, visual art, and spectacle in an utterly unique, compelling event.

Flesh Tone returns to the conceptual and performative model of Real Time Film and Live Green Screen Performance technique the group pioneered in 2001 with its trilogy of works Shelf Life, Flicker, and House of No More. Flesh Tone delves deeper into the techniques and the questions these hybrid forms raise, moving beyond the Film-Theatrical hybrid of the group’s earlier works to create a theatre of mediated information in which action, re-enactment and special effect create a participatory spectacle with the “active editor” audience member. For Big Art Group, the theatrical event is based not on illusion, but on a synthesis of simulation and impersonation, on the ritualized action of recreating a readable, multi-layered Image Theatre.

2 FOUR CHANNEL VIDEO INSTALLATIONS in the Underground

SOS/Animals was filmed on location in the industrial district of Greenpoint Brooklyn with the Animals from Big Art Group’s 2009 group work SOS.

The Imitation is based on the 2008 group work by the same name and features singers Theo Kogan and Justin Bond.

April 15-18, 2010 Noon to 10pm
FREE

Ticket Info

TAKE OVER (Both shows in one day)
package discounts the admission to see both The Sleep (7:00pm) and Flesh Tone (8:30pm).
$25

THE SLEEP at 7:30 pm (April 15-18, 2010)
$15

FLESH TONE at 8:30 pm (April 15-18, 2010
$15

OPENING NIGHT VIP TAKE OVER
Package covers admission to see both The Sleep (7:00pm) and Flesh Tone (8:30pm) on opening night, April 15. VIPs receive a Big Art Group gift bag, an invitation to the after-performance toast with the company, and free admission to the after party at the Delancey Bar, 168 Delancey Street.
$100

In Performance: Wooster Group Curates PS 122 Avant-Garde-Arama (NYC)

PS 122 Avant-Garde-Arama
Friday, April 16 + Saturday, April 17
Doors open at 8PM
$20, $15 (students/seniors)
TheaterMania

With The Wooster Group curating the latest installment of Avant-Garde-Arama! one can expect two evenings of performance shorts and a nightly party that will “simulate the effects of a finely graded hallucinogen on a hyper-intelligent brain” – Ben Brantley The New York Times (on The Wooster Group). Each evening, of course, will be meta-framed by A.G.A! co-founder Salley May’s customary extravagant introduction and welcome.

Founded in 1976, The Wooster Group is an ensemble of artists who, under the direction of Elizabeth LeCompte, make work for theatre, dance, and media. The many young people who intern there and sometimes move into positions in the company have long been their lifeblood. They are often artists in their own right who go on to make their own work. The Wooster Group’s Booty Call Avant-Garde-Arama! will feature some of these folks, people who have been drawn to the Group and in some sense share its artistic spirit.

FRIDAY:

  • MC: Eric Dyer of Radiohole’s “Outrageous” New Yorker ‘Whatever, Heaven Allows’
  • Stiven Luka & Jean Coleman
  • Cynthia Hopkins
  • Daniel Pettrow
  • Esra Chelen
  • Andrew Schneider
  • Band TBA

SATURDAY:

  • MC: Jibz Cameron/Dynasty Handbag the “Crackpot genius” Village Voice
  • Yvan Greenberg’s Laboratory Theater
  • Enver Chakartash
  • Jamie Poskin & Daniel Jackson’s Haptic Response Team
  • Maurina Lioce
  • Jim Findlay
  • Live music by: Kelley McRae
  • Installation by Shaun Irons & Lauren Petty
    *Line up subject to change

In Performance: Big Art Group Releases Concept Album For NYC Premiere of The Sleep

The Sleep will be performed as part of Big Art Group‘s 10th anniversary weekend festival at Abrons Art Center in NYC April 15-18, 2010 and Big Art Group has released the concept album for the NYC premiere.

Listen to one of the songs below.

06 Bronze

THE SLEEP in the Experimental (NYC Premiere)
April 15-18, 2010 at 7:00pm
Click here for Tickets – $15

The Sleep mixes early cinema techniques, magic lantern, concept album and Big Art Group’s Real Time Film technique into a live see-though movie adapted from M. P. Shiel’s 1901 story, “The Purple Cloud,” in which a lone explorer races to the North Pole while a poison purple cloud covers the earth. His subsequent return to the remnants of civilization drives him into a crisis of being, in a classic “last man” adventure that eerily presages catastrophic climate change. Live music by Theo Kogan, Sean Pierce, and Jemma Nelson with toy theatre performances by David Commander and Jonathan Farmer. Direction and video design by Caden Manson. System design by Jared Mezzocchi. Associate produced by Linsey Bostwick. Supported by the Greenwall Foundation.

Full Album here.

Images:

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In Performance: Jeremy Wade & Pete Drunge – The Whirling Visitation

“The Whirling Visitation”
Abrons Art Center, NYC
April 9th and 10th at 8 PM
Tickets 10 in advance 15 at the door.
For reservations theatermania.com or 212 – 352 – 3101

JWwhirl

“The Whirling Visitation”
A spectral blur of sound and color that beckons you to enter the excess of uncertainty, Bessie Award-winner Jeremy Wade pairs up with Bessie Award-winner Pete Drunge to present an evening dedicated to the phenomenon of the sublime. “The Whirling Visitation” is hallucinogenic amalgam of music, text and movement reverencing dissonant mystic whispers, new age alien transgression, epileptic trance at twilight, psychedelic oblivion, believe it or not, guided visualizations into the unknown, and the fairy tale occult. www.jeremywade.de

Emerging: Yozmit (NYC)

Yozmit is a singer, interdisciplinary performance artist, and costume designer incorporating sound, movement, and the sculptural body.

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He started his professional career as a fashion designer but rediscovered himself as a performing artist through the practice of traditional Korean music (Pansori, Gayageum Byungchang) and modern dance.

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She studied and performed with Thomas Leabhart’s group ‘MICE’, Rachel Rosenthal Company, Laurie Cameron Company, Seo Hoonjung Pansori group, Takuya Muramatsu from Dairakudakan, Hou Ying from Shen Wei Dance Arts. He is also a scholarship recipient of American Dance Festival(ADF).

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Currently, She is based in Brooklyn, NY, working on her solo album and Abstract Cabaret Perfomance Series (performance art meets electro drag cabaret with shamanism). His work is shown at The Box and other venues in NYC. In addition to her work as an artist, she is also involved with HIV/AIDS prevention work and transgender civil rights work.

He is currently performing in Marina Abramovic’s ‘artist is present’ at MoMA until May 31st, 2010.

Featured: Rabih Mroué (Beirut, Lebanon)

Rabih Mroué (lives and works in Beirut) is an actor, director, and playwright and is the winner of the 2010 Spalding Gray Award.

In 1990 he began putting on his own plays, performances, and videos. Continuously searching for new and contemporary relations among all the different elements and languages of the theatre art forms, Mroué questions the definitions of theatre and the relationship between space and form of the performance and, consequently, questions how the performer relates with the audience. His works deal with the issues that have been swept under the table in the current political climate of Lebanon. He draws much-needed attention to the broader political and economic contexts by means of a semi-documentary theatre.

From theatre practice to politics, and from the problem of representations to his private life, his search for ‘truth’ begins via documents, photos, and found objects, fabricating other documents, other ‘truths’: it is as if the work becomes a dissection table for the dubious processes of Lebanon’s war society. With the accumulation of materials, a surrealistic saga unfolds, teasing out the proposition that ‘between the truth and a lie, there is but a hair’. His piece ‘Looking for a Missing Employee’ is an investigative performance in which the artist becomes a ‘detective’ interested in using actual documents to understand how rumours, public accusations, national political conflicts, and scandals act on the public sphere as shaped by print media. Mroué incorporates radical criticism, particularly in his video imagery.

Without losing his peculiar sense of humour, Mroué’s ‘Biokhraphia’ (in collaboration with Lina Saneh) shrewdly provides a space to consider the invention of biography, with all its dreams, failings, and idiosyncrasies, within the frame of the beginning of a history. In 2004 Mroué wrote ‘Who’s Afraid of Representation’, a merging of parallel histories of Western performance art and contemporary socio-political events in Beirut.

Emerging: Faye Driscoll – There is so much mad in me (NYC)

Faye Driscoll
There is so much mad in me (NYC)
Mar 31 – Apr 3 at 7:30pm
Dance Theater Workshop
Pre-Show Coffee and Conversation: Mar 31 at 6:30pm
Post-Show Talk Apr 2

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There is so much mad in me investigates the physical and theatrical narratives that drive our misplaced need to be seen. Driscoll, with her company of dancers, ask who we are and how we connect in this time of over stimulation and look at me distraction. Working from images seen in the media of people in extreme states, from torture to religious rapture, There is so much mad in me examines the similarities between polar extremes. What are the fine lines between the abject and the sublime, voyeurism and empathy, entertainment and reality? From creating facades to seeking the divine to committing violent acts and falling in love, There is so much mad in me explores shifting states of consciousness as choreography while investigating how we process information.

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Performed by Lindsay Clark, Lily Gold, Michael Helland, Tony Orrico, Jennie MaryTai Liu, Jacob Slominski, Adaku Utah, Jesse Zaritt and Nikki Zialcita.

Design by Machine Dazzle, Amanda K. Ringger, Sara C. Walsh and Brandon Wolcott.

Announcements: 101010 UpStage Festival – call for proposals

This call for proposals was spotted on culturebot.org. Below is from the 101010 UpStage Festival website.

The fourth UpStage festival of cyberformance (live online performance) will be held on 101010 (10 October 2010). The call is now open for performance proposals.

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The 101010 Upstage Festival aims to create a participatory space for collaboration, creation, and for the presentation of current cyberformance. The festival provides a platform (and shares the technichal expertise) to enable artists to experiment with the new medium, and to have their work seen alongside performances by internationally renowned practitioners – in a celebration of the evolution and diversity of cyberformance practices.

090909 UpStage Festival Showreel from UpStage on Vimeo.

To submit a proposal, email the following information toinfo@upstage.org.nz:

* working title of your cyberformance and 3-4 sentences about it;
* names and locations of people involved;
* brief background/bios (not more than 300 words each);
* preferred time(s), in your local time, for presentation on 101010;
* contact email and postal address.
Performances can be on any theme or topic; the only rules are it must be no longer than 20 minutes, and must be created and performed in UpStage (for information about past festivals and performances, see the links at the left).

The deadline for proposals is 31 March 2010; the preliminary selection will be made by 30 April, with the public announcement of the selected performances on 1 September 2010.

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The festival will take place online in UpStage on 101010, with RL (’real life’) access nodes at locations around the world. If you are interested in hosting a RL access node, please contact us for further information and technical requirements.

Participating artists will be listed and acknowledged on the UpStage web site. We will endeavour to record all the performances and provide participating artists with copies for documentation, however this is dependent on volunteer resources.

UpStage is an open source venue for web-based performance and is licensed under the Creative Commons and GPL. All copyright of artworks remains with the artists; we encourage artists to use Creative Commons.

Any questions, please email info@upstage.org.nz.

Featured: Russell Higgs – 999 Days

A CULTURE’S POWER STRUCTURE DEPENDS LARGELY ON HOW WE LOOK AND HOW WE ARE LOOKED AT.

Between 17th July 2006 and 29th May 2009, working with mask and sculpture, Russell Higgs created a photo of himself every day.

In this project he made a commitment to abide by a series of (arbitrary) boundaries and rules, eg: each portrait must be taken between midnight of each day, they can never be shot days in advance nor in retrospect, and the default pose is as for ID cards, forward facing, and minimal expression.

CITIZEN HIGGS CLOCKS IN, DAY AFTER DAY AFTER DAY.

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In Print: HERE ART’s Portrait Project (Web Series)

Here Art Center’s Portrait Project is a new web video series from HERE Arts Center with the support of the Rockefeller Cultural Innovation Fund to document the experiences of New Yorkers working in the performing arts.

The centerpiece of the project will be 30 short video portraits of featuring artists living in the 5 boroughs and working in theater, dance, opera, music theater, performance art, and multi-disciplinary arts. The web-based series will be released on an interactive website over 2 years and will be organized around 10 major issues that range from arts real estate to family balance, health insurance and day jobs, creative partnerships and career longevity, and more.

With the current economic climate and commercial homogenization of NYC, the sustainability of artistic careers in New York City is at risk. Independent artists struggle every day to support their commitment to create complex live art in one of the fastest-moving and competitive cities in the world. We believe that in order for these artists to stay in the field, they must have the necessary skills to function as viable creative enterprises.

The peer-to-peer artists’ network created by Portrait is innovative in its approach and scale. As NYC rents continue to skyrocket and performance spaces shut their doors, artists need to rely on one another to develop innovative strategies to combat these problems. This unblinking series will expose and demystify the challenges that independent artists face through a matter-of-fact approach to both the obstacles and solutions while also providing a platform for artists to network, collaborate and problem solve. By bridging the divide between online and live-performance audiences, Portrait’s innovative cross-platform peer-to-peer approach will enable models of success, inspire resource sharing, create a forum of advocacy, and increase the visibility of independent artists. –From The Portrait Project Website

Creative Team:

Produced by Tanya Selvaratnam Scheib
Produced by Karina Mangu-Ward
Directed by Chiara Clemente
Executive Produced by Kristin Marting & Kim Whitener

TANYA SELVARATNAM is a producer, performer, writer and activist based in New York City and Cambridge, MA. She has been producing events, films, and shows for fifteen years. She started out in 1995 as the producer of International Youth Arts & Culture Events at the NGO Forum on Women/Fourth World Conference on Women in China. She then served as Special Projects Coordinator for the Ms. Foundation from 1995-8 and as a Research Associate/Coordinator for the World Health Organization from 1998-2000. Tanya often incorporates her commitment to international, youth, and cultural causes into her work. In 2005, she produced Artists for Tsunami Relief, a concert featuring appearances by Moby, Lou Reed, Sussan Deyhim, Angela McCluskey, DJ Spooky, and Living Color. In 2007, she produced A Theater of Varieties to benefit The Wooster Group, featuring appearances by John Waters, The Voluptuous Horror of Karen Black, the little death, and Fischerspooner. In 1999, Tanya began producing movies with Jed Weintrob’s On_Line, which premiered at the Sundance and Berlin Film Festivals followed by an international release. Since then she has produced seven films, including Chiara Clemente’s Our City Dreams, Gabri Christa’s Domino and Catherine Gund’s What’s On Your Plate?. In addition, for the past two years, she has served as the Artist and Press Liaison for the Rubell Family Collection during Miami Basel. Also a successful performer, Tanya started her professional acting career as a back-up dancer for John Fleck at an ACT UP Benefit in 1993. Since then, she has toured around the world with The Wooster Group, The Builders Association, and Jay Scheib. In addition, she has worked with many theater directors and playwrights including Lonnie Carter, Brian Mertes, Maria Mileaf, David Schweitzer, Anna Deavere Smith, and Fiona Templeton; and has appeared in a number of film and video projects by artists including Zoe Beloff, Candice Breitz, Andrea Geyer, Sharon Hayes, Jennifer Reeves, and Carrie Mae Weems. Tanya has completed residencies at Yaddo, Voice & Vision Theater, and Blue Mountain Center, and been a guest actor at the Lincoln Center Directors Lab, New Dramatists, and the Institute on Arts & Civic Dialogue. She received her undergraduate and graduate degrees in Chinese Legal History from Harvard University.

KARINA MANGU-WARD (Producer) attended Columbia University’s MFA program in Theater Management and Producing (Class of 2008). While completing her graduate thesis on the intersection of internet culture and live arts, she worked in commercial theater with producers Carole Shorenstein-Hays and Liz McCann before joining the staff of HERE Arts Center as the General Manager in January 2008. As an independent manager/producer, Karina has collaborated with a variety of artists and companies including 13 Playwrights Inc. (General Manager 2006-2009), Theater of the Two-headed Calf (Executive Producer, Room for Cream: The Live Lesbian Soap Opera, LaMaMa ETC), the TEAM (365 Days/365 Plays & Board Treasurer), and Lear deBessonnet (Producer, St. Joan of the Stockyards, PS122). In addition, Karina has worked as a documentary video editor for Downtown Community Television and produced shorts for a number of other non-profit organizations. She also producers and directs the web series “Gay’s Anatomy,” gays-anatomy.com. Karina is a 2005 Harvard graduate.

CHIARA CLEMENTE (Director): Chiara Clemente’s work revolves around questions of identity and cultural contrast. Her love of film came at an early age with her first video camera at the age of 12. Her affinity for art can be traced back to her childhood, tiptoeing around her father’s paintings. The merging of visual art and film was an entirely intuitive process for her when she directed her first art documentary for the Rai Sat Art Channel in Italy in 2000. With the success of the first film she was invited to direct twelve more. Commissions included documentaries on contemporary artists and architects, including Jim Dine, Frank Gehry, and Brice Marden. The documentaries evolved and soon she was collaborating with artists on short art films, such as These Imaginary Boys and Know Yourself with Adrian Tranquilli. In 2002, Chiara directed and photographed Three Worlds: A Portrait of Francesco Clemente. In 2005, shortly after moving back to New York, Chiara worked with Mario Sorrenti on a short film commissioned by W Magazine for national distribution with its first Art Issue. Also, in 2005, Chiara began work on her first feature documentary, Our City Dreams. Over the course of two years, she followed five women artists: Nancy Spero, Marina Abromovic, Kiki Smith, Ghada Amer, and Swoon, all of whom live and work in NYC. In 2008, Chiara directed a short film Curiosity commissioned by Saatchi and Saatchi and another short Remembering Stephen Sprouse for T Magazine of the New Times. She is currently developing ideas for her first narrative feature.

HERE ARTS CENTER (Executive Producer): Since 1993, HERE Arts Center has been one of New York’s premier arts organizations and a leader in the field of producing and presenting new, hybrid performance work which we view as a seamless integration of artistic disciplines—theatre, dance, music, puppetry, visual, multi-media art. Past productions includes Eve Ensler’s The Vagina Monologues, Basil Twist’s Symphonie Fantastique, Hazelle Goodman’s On Edge, Trey Lyford & Geoff Sobelle’s all wear bowlers, Young Jean Lee’s Songs of the Dragons Flying to Heaven, Corey Dargel’s Removable Parts, and Theatre of a Two-headed Calf’s Drum of the Waves of Horikawa. HERE’s work is challenging and alternative and offers our audiences the opportunity to feel that they are part of something new and fresh. Our core program is the HERE Resident Artist Program (HARP), which invites artists to develop complex hybrid work at HERE over 3 years. Each season, HERE produces 4 to 6 Resident Artist productions. By providing varied levels of artist participation—Resident Artists, Visiting Artists, and Supported Artists – HERE keeps the artist’s vision paramount.

In Performance: Le Son du Nous by Philippe Starck & Soundwalk (Paris)

« Le Son du Nous » by Philippe Starck & Soundwalk
March Friday 19th and Saturday 20th, 8:30PM, Festival Exit, Main Stage, MAC Créteil, France

© 2010 Dalbin, Picture Florence Maeght
© 2010 Dalbin, Picture Florence Maeght

The Dalbin label, Philippe Starck and Soundwalk will present the performance « Le Son du Nous » at MAC Creteil during the International Exit festival.

Philippe Starck is known everywhere as a creator, a designer, and an architect; as a unique and polymorphous man. During this extraordinary experience, involving audience participation, we will get a rare and unique view of the artist. The New York-based sound art collective Soundwalk offers guided walks that mark the halfway point between Baudelarian wanderings and cinematographic experiences, and allow the listener to discover a city in a uniquely poetic way.

Philippe Starck and Soundwalk present a collective adventure in the form of a search for the sound that we lack. Is it a voice, a note, a noise? This resonant exploration is based on a playful dialogue between Philippe Starck, Soundwalk, and the public. Through altered reality, the manipulation of sound, and musical interpretations, this show will guide us together to the discovery of a unique sound: the Sound of Us. (Le Son du Nous)

In the performance, Philippe Starck will share with us his passion for sound, while members of Soundwalk, accompanied by instrumentalists and foley artists, will respond to him using sounds captured around the world over the course of the last decade.

Reservations
www.maccreteil.com et +33 1 45 13 19 19
Prices: From 8 to 20 euros