Theater

Apply Today: Open Call – Residencies – Theater of the Anthropocene / Media, Nature, Society (International, Belgium)

Call for applications: residencies – Theater of the Anthropocene / Media, Nature, Society La Fabrique de Théâtre / Service Provincial des Arts de la Scène (Belgium) Deadline: Monday, 13th of June 2017. Apply Online: http://oxiforms.com/form.php?f=3200CA96-1FA3-4C1A-B071-A5B42D72EE3E (In French) The Fabrique de Théâtre / Service des Arts de la Scène de la Province de Hainaut, launches this year a call for application dedicated to performing art artists whishing to work in residency on the theme “Theater of the Antropocene / Media, Nature, Society”. This residency is open to performing arts artists as a single person, or accompanied by a professional of another field (journalist, researcher, philosopher, writer, scientist, etc.). The residency is planned on two weeks work, one in Septe...

Opportunities: Site Specific and Studio Residencies at Arts@Renaissance (Brooklyn, NYC)

Site Specific and Studio Residencies Available Arts@Renaissance is an innovative 4,500 square foot arts space in the restored outpatient building of the Greenpoint Hospital that serves as a bridge between North Brooklyn’s vibrant long-term communities and the area’s emerging creative population through the development of new multi-disciplinary work, residencies, workshops, and collaborative neighborhood art projects. St. Nicks Alliance founded A@R in 2010 with the purpose of uniting artists and other creative members of the North Brooklyn community with its existing low and middle income constituents. A@R is a natural extension of the housing, youth, health, employment and community preservation services that St. Nicks has provided in the neighborhood since 1975. Arts@Renaissance encompass...

Books: Performance, Technology, & Science

Performance, Technology, & Science Johannes Birringer Performance, Technology, & Science by Johannes Birringer explores convergences between performance and science through an investigation of new technologies that drive computer-mediated, interactive art. In tracing the evolution of digital performance within a particular history of engineering and theatre that now expands to a wide range of practices in design, dance, architecture, fashion, games, music, robotics, telematic performance, and ‘post-production’ theatre, the author focuses on interactive performance, installation and Internet art. Internationally known practitioners and their works are introduced to formulate provocative ideas on computation, complexity, emergence and self-organizing systems in contempora...

Highlights: Black Box Marstrand Festival (Norway)

Gisèle Vienne (FR) I Apologize «I Apologize» was born out of an accident reconstruction. This reconstruction is the basis from which derive several versions of the same event, in order to define its truth and reality. These various versions take on a blurred identity, somewhere between the representation of a real event and the representation of a fantasy, and are the foundation of the structure of the play, a reflection on reality, and of the possible representations of reality. A young man is in charge of these different versions of reality, by directing a man and a woman, both baroque and rock icons, and twenty-odd young girls, all aged around twelve, represented by articulated dolls. Confusion slowly creeps in our perception of reality, which thus appears as a world of approximations a...