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In Performance: William Forsythe Sider at BAM (NYC)

A work by William Forsythe and The Forsythe Company
Music by Thom Willems
Oct 9—Oct 12, 2013
BAM Howard Gilman Opera House

For choreographer William Forsythe, the stage is a large-scale laboratory for boundless theatrical and linguistic investigation. In Sider, the knotty speech rhythms of late-16th-century Elizabethan tragedy form the unlikely point of departure.

Dancers, equipped with earphones that play a recording unheard by the audience, deliver fragmented, enigmatic movements based on the cadences and meanings of the sumptuous Elizabethan text. Wielding giant sheets of cardboard, the dancers conjure an array of kinetic imagery and sounds—deepening this beguiling translation and evoking a world in which one language is withheld while another rises to the surface.

(Source BAM Website – Photo – Copyright:© Dominik Mentzos)

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble and network, blog, and publisher, He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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