SOFTLAMP.autonomies Ellen Furey and Malik Nashad Sharpe American Realness at University Settlement January 7-10, 2019 As the dancers Ellen Furey (based in Montreal) and Malik Nashad Sharpe (a New Yorker based in the UK) began yet another iteration of a looped unison
Performance Space New York has announced their fall season and for the next three months artists and audiences will be exploring worlds that extend beyond human perspective, disrupting traditional conceptions of humanity. Rather than positioning human consciousness as the primary source and content
The Contemporary Performance Think Tank: Currents (volume 1) $5.95 The Contemporary Performance Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource for practitioners.
The fourth annual FILM FESTIVAL ON THEATRE AND PERFORMANCE March 1 – 3, 2018 Martin E. Segal Theatre Center, The CUNY Graduate Center 365 Fifth Avenue, New York, NY 10016-4309 | ph: 212-817-1860 This year’s theatre focus in FTP includes works of
Currents focuses on a set of topics concerning the fields of Theater and Contemporary Performance. The book focuses on contemporary performing artists and companies pushing the formal relationships of architecture, artist, and audience. This first publication five areas on the forefront of
Aaron Landsman is a playwright and performance artist whose work is occasionally co-authored with community members. His most recent piece, Perfect City, is a long-term collaboration with young people on the Lower East Side, architectural interventionists, and activists about the politics of
This essay originally appeared in Currents, published by Contemporary Performance and edited by Caden Manson and is also available in hardcopy and available for download as a free pdf below.. Currents focuses on a set of topics concerning the fields of Theater and
Aaron Landsman Aaron Landsman makes live performances involving people, space, time and language. Based in New York City, his projects range from monologues and stage plays to participatory and conceptual works presented in places where people perform their lives: offices, homes, meeting
We wanted to share with you the artists for Special Effects Festival NYC 2018 and what we are focusing on with this project. This year’s edition asks; how do we strengthen community? how do we build empathy? and how do we stay focused
The Contemporary Performance Think Tank is organized by Contemporary Performance Network. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource
In Conversation with Shasta Geaux Pop Interviewed by Terrence I. Mosley The Contemporary Performance Think Tank is organized by Contemporary Performance Network. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and
Erin Markey makes music, shows and videos. She has shown work at Under the Radar Festival, A.R.T., New Museum, PS 122, New York City Comedy Festival, Ars Nova, Lincoln Center Director's Lab, UCBeast, Bard Spiegeltent, Tasmania's Festival of Voices, San Francisco Film
Performance Cabaret queers the classic cabaret refrain “Let me entertain you!” towards work that engages high and low culture together, uniting crisscrossing roots in musical cabaret, variety, comedy, drag, burlesque, and performance art. Performance cabaret is typically driven by an auteur who
“mixed reality performances deliberately adopt hybrid forms that combine the real and virtual in multiple ways and through this, encourage multiple and shifting viewpoints” – Performing Mixed Reality, Steve Benford and Gabriella Giannachi As technology continues to invade and evolve our lives, so
The Contemporary Performance Think Tank is organized by Contemporary Performance Network. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource
As technology continues to invade and evolve our lives, so too does it continue to invade and evolve our theater. While seeing technology on stage is nothing new, more and more theater-makers are investigating entirely new forms of performance that completely revolve
The Contemporary Performance Think Tank is organized by Contemporary Performance Network. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource
Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource for practitioners. This year’s topic is contemporary performing artists and companies
The Contemporary Performance Think Tank is organized by Contemporary Performance Network. Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource
Each year the Think Tank focuses on a set of topics concerning the fields of Theater and Contemporary Performance and conducts research and interviews to produce a paper as a resource for practitioners. This year’s topic is contemporary performing artists and companies
DRODESERA is a contemporary art festival currently at its 37th edition This year is taks place from 21st to 29th July at Centrale Fies, Dro (Trento), which has been hosting the festival exclusively for last 17 years. The Art Work Space has
Immersive theater has been proliferating throughout the contemporary performance and theater fields in the last 10 years. Discover 10 immersive theater companies working today. 1. PunchDrunk (London/NYC) www.punchdrunk.com “Since 2000, Punchdrunk has pioneered a game changing form of theatre in which roaming audiences
4. Fruit for the Apocalypse (London) www.fruit-for-the-apocalypse.eu “Fruit for the Apocalypse create and present new audio-kinetic adventures in Opera, Ballet and Composition working with emerging artists and forging new collaborations in a site-responsive context. We are a diverse collective of artists and producers
Jen Rosenblit has been making performance in New York City since 2005. Her Bessie Award-winning work questions intimacy inside of problematic spaces, uniting choreographies, text, and design towards philosophical quandaries. Her work has been commissioned by The Kitchen, New York Live Arts,