Aughterlony and Rosenblit navigate current forms of feminist politics beyond manifestos. Unpacking the phenomenology of utopias solicits the fear that all things will not fit in the imagined path. A free-standing wall sits in the middle of the room offering possibilities to
As a vector of performance, participation has risen in prominence over the last fifty to sixty years to become one of the key concepts in contemporary performance practices. Ant Hampton exemplifies an approach to participation that depends on subtlety, rigor, and imagination.
SPECIAL EFFECTS January 8 – 10 2015 The Wild Project, 195 E 3rd St at Ave B A Contemporary Performance Festival sfx.contemporaryperformance.com Contemporary Performance announces the festival Special Effects from January 8-10, 2015. The festival consists of artists from the Contemporary
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
[alert heading=”The Contemporary Performance Almanac13″ type=”alert-info” block=”false” close=”false”]This post is part of a series of profiles on performance and performance makers from last year’s book, Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. If
Live Arts Exchange (LAX) A high-voltage performance series featuring work made in LA. September 10 to September 21 The Bootleg Theater 2220 Beverly Blvd Los Angeles, CA 90057 TICKETS Tickets are $15-20 and can be purchased online at http://liveartsexchange.org/tickets/ Early bird festival passes available
Pinups creator, Christopher Schulz, and Chicago based performance art group, ATOM-r, have collaborated to carefully craft THE OPERATURE a 60 page Augmented Reality performance publication with pull out poster and micro-essay contributions from Anna Felicity Friedman, Kira O’Reilly, Anthony Romero, Matthew Steinbrecher
Written by: Binge Culture Whales is an outdoor interactive performance by kiwi experimental theatre company, Binge Culture, a group in search of participative theatre that is profound, and the audience’s part integral. In staging a whale stranding (which are a relatively frequent
EVERYBOOTY @BAM$20 in advance, $25 at the door. ($15 tickets with code 30339 until Thursday June 26 11:59pm EST)http://www.bam.org/Everybooty Queer Performance to take over the entire four-floor of the BAM Fisher Building (including an incredible rooftop!) for one night that mashes up performance,
On May 16th, 2014 to coincide with the exhibit “The Abandonment of Art” Adam H Weinert launches a digital installation in The Museum of Modern Art without the museum’s consent. Using an Augmented Reality platform provided through a residency with Dance-Tech, Weinert
NO SHOW: Bridget Balodis + Mark Pritchard (Melbourne, Australia) NO SHOW: Bridget Balodis + Mark Pritchard. NO SHOW is the joint project of two independent theatre directors investigating new ways of telling stories in live spaces. We create interactive and immersive theatre
KaBooM KaBooM is a physical performance event – its subject is War. KaBooM is based on real stories of ex-soldiers who have fought on the frontline: Fabrice, a child soldier from Burundi, who hid in lakes to escape machetes wielding hoards; Majid,
This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. TWINSHIPS TWINSHIPS is one result of a six-month Housemate
This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. WHELPING BOX Provocative and intelligent, visceral and strange: Whelping
This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. Thrashing Without Looking Thrashing Without Looking is an experiential,
This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. sincerely yours, Love Letter Project love letters, written or
This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now. IRRITABLE The objective of this action is to
[vc_row][vc_column width=”1/1″][vc_column_text] The Contemporary Performance Almanac 2013 is now published. Thank you to all the artists involved. The book turned out to be a mammoth 770 pages and 4 pounds! Below is a video flip through of the book. You can also