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Almanac13: Branch Nebula, Matt Prest & Clare Britton (Sydney, Australia)

This post is part of a series of profiles on performance and performance makers from the book Contemporary Performance Almanac 2013, an overview of contemporary performance presented during the 2012/2013 season available for touring now.

WHELPING BOX
Provocative and intelligent, visceral and strange: Whelping Box is a breeding ground for wild things; for dogs and gods. Two male performers take up their positions in an intimate 10m x 10m arena, with the audience at close proximity, and engage in a series of tasks seemingly design to test their limits and to strip themselves of civility. Through feats of endurance, absurd rituals and idiosyncratic mythmaking, they map out a restless and aggressive initiation. Like athletes or shamans, they are the audience’s guides, guinea pigs and preachers. They feed on their energy in a bizarre and anarchic quest to transcend the confines of normality. With the audience seated around the action in a giant whelping box-cum-catwalk, this is a place to test the body, the performer, and the spectator; a place of unsettling permissions and a pageantry born from violence. A new collaboration between Branch Nebula, Matt Prest and Clare Britton, Whelping Box blurs the lines between theatre, dance and performance art to fearlessly explore concepts of self-made mythology, machismo and the power that lies in places of powerlessness. An absurd spectacle carried of with absolute conviction. ‘A long-awaited reminder of how visceral, provocative and intelligent contemporary performance can be… Whelping Box breathtakingly delineates the pleasures, pain and contradictions of play, initiation, bonding, competition, risk and self-mythologising.’ REALTIME MAGAZINE

Production History: Performance Space, Carriageworks, Sydney; Arts House, Melbourne

Bio: WHELPING BOX is a first time collaboration between Sydney-based company Branch Nebula and artists Matt Prest and Clare Britton. BRANCH NEBULA (Lee Wilson and Mirabelle Wouters) began collaborating in 1998. Driven by an eclectic and diverse passion for culture in all its forms, working in a range of settings; public space, conventional and non-conventional, with diverse artists like skaters, BMX-ers, dancers, parkourists, footballers, Bboys and Bgirls, and performance artists, to create experiences for audiences that are immediate, risky, physical, visceral and challenging. MATT PREST makes performance and installation that exists in the space between theatre and performance art with a focus on creating visceral and sensory experiences for audiences. CLARE BRITTON is an interdisciplinary artist who works across concept, design and performance. She is a founding member of theatre company My Darling Patricia.

Website: intimatespectacle.com.au/production/whelping-box-2/
Facebook: BranchNebula

Photo © Heidrun Lohr

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Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; the ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122, and Wexner Center for The Arts. Caden is a 2001 Foundation For Contemporary Art Fellow, is a 2002 Pew Fellow and a 2011 MacDowell Fellow. Writing has been published in PAJ, Theater Magazine, and Theater der Zeit. Caden is currently an associate professor and graduate directing option coordinator of The John Wells Directing Program at Carnegie Mellon University’s School of Drama.

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