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Emerging

DEADLINE IN 1 DAY – Tour Your Work

Join Today DEADLINE: October 31, 2017 11:59pm EST We invite you to a part of the Contemporary Performance Almanac 2018, a crowd-funded and open-source overview of contemporary performance created or presented during the 2016/2017 season available for touring now. This is the 5th year and 5th
October 14, 2017
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In Performance: Gray Spaces (Special Effects)

SFX’s one-night grab bag of discourse-in-performance, GRAY SPACES features new works engaging contemporary questions of technology, identity, ritual, and more by an impressive lineup of emerging performance makers. “Gray” is the operative word of the evening–these artists and their work exist explicitly
January 18, 2016

Emerging: Ira Melkonyan (Malta)

Mixing ingredients has always enticed me. I seek combinations which create new tastes and scents. Meet Ira. She is a curious cook, preparing a bowl of science, art and philosophy, soon to be whisked. what is bio art? It is an art
September 2, 2012

Emerging: CHOKRA (New York City & United Arab Emirates)

CHOKRA is a performance artist from the United Arab Emirates. His multi-dimensional performances integrate multi-lingual rap rhymes uttered in Arabic, Urdu, Hindi, Pashto, Bengali and English, live surrealistic visuals combined with digital and analogue sound, an algorithmic processing of electronic operatives via
March 30, 2011

Emerging: Marc Arthur’s Peter and the Wolf (NYC)

MARC ARTHUR PETER AND THE WOLF Friday, March 18th at 7:30pm Saturday, March 19th at 2pm & 7:30pm 184 Eldridge Street (corner of Rivington), New York Tickets: $15 The classic Sergei Prokofiev composition Peter and the Wolf (1936) is torn apart in
March 15, 2011

Emerging: Ben Evans & Michael Helland Solo Work at Volksroom (Brussels, Belgium)

13 Feb, 20:00 “Glorious Hole” by Ben Evans and  “The man with sad eyes, or Wild Eyes” by Michael Helland VOLKSROOM Chaussee de Mons 33B Anderlecht 1070 Brussels, Belgium. __________________________________________________________________________________ “Glorious Hole” solo performance by Ben Evans In Glorious Hole, a new solo by
February 12, 2011

Emerging: Falling/Flying, Anya Liftig (Santa Monica, CA)

Falling/Flying, Anya Liftig in Performance in Video, Feb 18-24, 2011, Performance, February 19, 6-10 pm, FREE Admission Highways Performance Space and Gallery 18th Street Arts Center 1651 18th Street Santa Monica, CA 90404 310.315.1459 www.highwaysperformance.org The Brooklyn-based performance artist Anya Liftig has
February 8, 2011

Emerging: Jean-Baptiste Veyret-Logerias (France)

Bio: Jean-Baptiste Veyret-Logerias has been practicing singing since he was 10 years old, as well as choir leading for many years. In 2003 he was part of the vocal ensemble conducted by Pierre Calmelet which won the silver medal at the national
October 20, 2010

Emerging: Yozmit (NYC)

Yozmit is a singer,  interdisciplinary performance artist, and costume designer incorporating sound, movement,  and the sculptural body. He started his professional career as a fashion designer but rediscovered himself as a performing artist through the practice of traditional Korean music (Pansori, Gayageum
March 31, 2010

Emerging: Faye Driscoll (APAP Showing -NYC)

APAP: Faye Driscoll There is so much mad in me Jan 8 at 3pm FREE Reservations are encouraged. In a time of distraction, voyeurism and over stimulation, how do we experience authentic connection? Faye Driscoll investigates the physical and theatrical narratives that
January 5, 2010

Emerging: Latitude 14 (NYC)

Latitude 14 provides a framework for the artist-driven projects of its affiliates. These include its founders: Christina Campanella (composer/performer), Mallory Catlett (director & dramaturg), Stephanie Fleischmann (writer), and Peter Norrman (video artist & filmmaker), who began working together in 2005, and were
January 4, 2010

Emerging: Implied Violence (Seattle, Washington)

(from the artists’ website) Implied Violence makes plays that are not plays. We make theatre that may or may not be theatre. We generate pieces that are rooted in an internal logic and rigid structure that audiences may or may not understand. However, our work
December 31, 2009

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