The course combines an analysis of case studies and an immersion into movement-based techniques with a number of creative tasks designed to provide an iverview - both felt and informed - about the philosophical principles, the processual forms, and the techniques needed
Opportunity: international open call for artists – LMDP Lmdp Festival Internazionale Di Teatro, Arte E Nuove Tecnologie 2022 Where: Spazio Domosc,cagliari – Italy When: Novemeber & Decemeber 2022 Deadline: 15/06/2022 Online Application: https://www.kyberteatro.it/en/festival/ Fee to Participate or Apply: 0,00 Description Of Opportunity:
The open call LIVE WORKS includes creative residency periods for the selected projects. LIVE WORKS sees performance as a work space, and as an instrument and cultural exercise. Starting from the notion of performance in the visual art practice, the project is
Delivered by Independent Dance in partnership with Trinity Laban and Siobhan Davies Studios, MA/MFA Creative Practice: Dance Professional enables experienced practitioners to develop their artistic practice in a stimulating environment of creative inquiry.
The STUDIO2 of the International Theatre Institute (ITI) - a work and research space for the independent performing arts in Berlin-Kreuzberg - will offer two residencies from 2022 for individual artists or collective groups of up to five artists from the fields
Open Call The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are eligible for the coveted Golden Nica awards and monetary prizes of up to 10,000 euros in each category. They will also be featured at the Ars
Running all year round since 2002, the residency programme is at the heart of PACT Zollverein’s day to day work. Open to professional artists from home and abroad who work in the areas of dance, performance, media arts or music and closely
ACT is an annual festival that for the duration of four days brings together around a hundred participants and guests from around the world. The festival has four main sections: the pedagogical program, ACTmosfera encounters, the exhibition shows and the short pieces
For its fifth edition, hungry eyes festival is once again looking for artistic works that situate themselves at the intersection of film, performance and installation art and question film in an interdisciplinary way. This year, hungry eyes festival will again take place
De Structura is looking for young (ages 21-30) artists, art professionals, designers and culture workers operating within the fields of visual and performing arts, who have at least some existing experience in arts/culture and a passion for improving Europe’s art sector. You
For 2022 -2023 The Performance Project @ University Settlement is calling for dynamic artists who are ready to engage, connect, and co-create with our communities. Our model continues to move towards greater community engagement centering community voice in curation, production, and decision
Mitu’s Hybrid Arts Lab supports trans, non-binary, and women artists working at the intersection of performance and technology. With a focus on early career BIPOC artists, this program offers creation and exhibition space, technical resources, training, and mentorship to a small cohort
“Notes on the Performing Arts,” is a website that consists of a string of essays primarily for the practitioners and students of the performing arts, including theater, dance, dance theater, ballet, music, performance art, and film/video.
Mon Dec 13, 1:00 PM ESTAnne BogartBook Talk: The Art of Resonance; USFree Clck Here to Watch Segal Talks Live on HowlRoundClick Here to Watch Segal Talks Live on FacebookClick Here to Watch Previous Segal Talks Purchase the book The Art of Resonance Join Segal Talks and HowlRound
MACHINE DAZZLE has been dazzling stages via costumes, sets, and performances since his arrival in New York in 1994. Credits include Julie Atlas Muz’s I Am The Moon And and You Are The Man On Me (2004), Big Art Group’s House Of
There is a crisis! And in times of global crisis, it's all about global cooperation. Nevertheless, this time the crisis is being dealt with locally - on behalf of the world: at a conference that no one needs to book a flight
In Terms of Performance is an online resource of intersecting essays and interviews from artists, curators, presenters, and scholars reflecting on the relationship between visual art, theater, choreography, and performance art co-edited by Paula Marincola of The Pew Center for Arts & Heritage and Shannon
Immersive theater is a performance form emphasizing the importance of space and design; curating tangible, sensual environments; and focusing on personal, individual audience experience.2 The form has emerged over the past two decades as a major movement in performance and finds itself
Welcome to the third season of The SLC Performance Lab Podcast! The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Performance Lab is one of the core components of the program where graduate students work
Jaamil Olawale Kosoko is a Nigerian American performance artist, poet, and curator originally from Detroit, MI. His creative practice draws from Black study, queer theories of the body, weaving together visual performance, lecture, ritual, and spiritual practice.
The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Each month a visiting artist to the MFA Theatre Program's Grad Lab is interviewed. Grad Lab is one of the core components of the program where
ibz Cameron is a performance, recording, and video artist as well as an actor. Cameron also produces work as Dynasty Handbag, an alter ego created in 2001. Her performance art has been called "Outrageously smart, grotesque and innovative" by The New Yorker
Tina Satter is a playwright and director based in New York City. She is the founder and artistic director of the theater company Half Straddle. A collection of three of her plays, "Seagull (Thinking of you) with Away Uniform and FAMILY," was
The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Each month a visiting artist to the MFA Theatre Program’s Grad Lab is interviewed. Grad Lab is one of the core components of the program where