Caden Manson (Editor In Chief)

VOID dance performance (work-in-progress) Dance and choreography: Irina AnufrievaComposer (Schrei 27): Diamanda GalásVidual design: Joanna Bodzek Text by Taciana Arcimovic published at partisanmag.by, Almanac of Contemporary Belarusian Culture In English:http://partisanmag.by/?p=7938 In Belarusian:http://partisanmag.by/?p=4848

I am curating and editing a project on Dance in the Museum for Movement Research’s publication Critical Correspondence. Writings by Yvonne Rainer, Mark Franko, Marten Spangberg, Danielle Goldman, Jaamil Kosoko, and others. http://www.movementresearch.org/criticalcorrespondence/blog/?p=8048 We welcome proposals for contributions: cc@movementresearch.org

Hi everyone!  I have created a new dance reel for 2014. Please check it out here and let me know what you think. https://vimeo.com/82928278 Thanks very much! I look forward to connecting with you here soon. Kevin

      The Dancer   Presumably a group of self-portraits, this series of Dancer portraits is equivocally voyeuristic in the soft keyhole shadowing of the pictures edges along with the penchant for embellishing costume. I like the tempered restraint of Dancer

please come by if you’re around. new dance series at the Tel Aviv Museum of Art

Theatre as a Laboratory for community interaction   ODIN TEATRET – NORDISK TEATERLABORATORIUM within the framework of the European Culture Project Caravan – Artists on the Road and the Laboratory Theatre Network   Symposium Theatre as a Laboratory for community interaction  

THE LAST BLOW | Work in progress n.1 | Odin Teatret In the framework of Holstebro Kommune – Odin Teatret – IKC, Interkulturelt Center WIN – WORKOUT FOR INTERCULTURAL NAVIGATORS – THEATRE AS SOCIAL INTERFERENCE 07-14 February 2014   THE LAST BLOW A

Article by Visual Artist / researcher Khaled Hafez  2014 Inspired by several uprisings for a period of three years, “Clockwise” is a short film written, directed and produced by the Egyptian visual artist and filmmaker Sameh Al Tawil in 2014. Along the duration

SMASH Berlin is a temporary, non-hierarchical educational platform that gives visibility to the multifaceted scene of contemporary dance in Berlin. The program focuses on the performative body with a hands-on approach to its expanded, transformative, contradictory and imaginative states. SMASH welcomes applicants from diverse

Por Jochi Muñoz               Anualmente, el Ministerio de Educación lleva a cabo un acto en el que se le rinde homenaje a un docente destacado. Este año, tal honor recayó sobre una de las más prestantes

Presenting NGS (“Native Girl Syndrome”) at New Dance Horizon Studio Theatre as part of the Ice & Fire Festival on Saturday February 15th at 7:30pm and at Sâkêwêwak on Sunday February 16th at 1:30pm. Performed by Angie Cheng and Karina Iraola. For

Conducted by Chiara Alborino and Fabrizio Varriale – Compagnia Danza Flux Itinerant  workshop of body writing in collaboration with Asilo (Ex-Asilo Filangieri), Teatro Piccolo Bellini in Naples, Italy Starting from ourselves, as travelers towards an awareness of our own space and time

Hi all,I’m happy to invite you to a new dance series I’m curating at the Tel Aviv Museum of Art.please let me know if you’re around and can make it!best,Lior—KONTRAPUNKT is a series of six events which interrelates contemporary art and dance.

Greetings Contemporary Performance Network!  A quick heads-up about a fun ensemble performance event taking place in NYC on Friday at The Wild Project. Purchase tickets HERE and use the friends code VHS for $5 off the ticket price. We hope to see

Por Jochi Muñoz    El presente texto fue preparado a petición del artista dominicano residente en Chicago, Rey Andújar, para ser incluído en el No. 107 de la Revista Contratiempo, de septiembre de 2013. Por razones editoriales el mismo fue editado en algunas de

In a mime performance, it is critical to give the essential visual information on “Where the character is” at the very beginning of a scene as quickly as possible, whether it is an indoor space, outdoor space, or even “no-place” in an

Gregg Goldston in “Loves Me Not” Today, I will write about how to draw the scenery, “Visible Environments” on stage.  The entire subject of “Making the Invisible Environment become Visible” is too large to cover in one article, and before I realized

Calling All Artists The SandBox Series, a program of MTCperformance, nurtures innovative performing artists by inviting them into an environment that prioritizes quality, rigor, and ample time to engage in a challenging and rewarding artistic process.         Who is