Tere O’Connor’s Construct-a-Guy and The Lace at New York Live Arts bring forty years of choreographic thinking into a single program. These dances reveal O’Connor’s evolving architectures of multiplicity, rigor, and queer complexity, inviting audiences into a system of movement shaped by
At the Holland Festival, Geumhyung Jeong’s Under Construction turns robotics into ritual, revealing tenderness, care, and fragility between human and machine.
In Extra Life at the Holland Festival, Gisèle Vienne sculpts fog, sound, and time into a choreography of survival, tracing how bodies persist after trauma.
Is it a hotel? Is it Hell? Why is everyone obsessed and slurping on the complimentary eggnog drink? Burnt Toast at The Skirball Center in NYC, by the Norwegian company Susie Wang, opens inside an all-red hotel lobby that feels like No
Łukasz Twarkowski’s ROTHKO, seen at the 2025 Holland Festival, blurs the line between original and fake, theater and screen. Live-feed video, rotating Chinese restaurant sets, and a double-timeline narrative fracture theatrical time into something disorienting, dazzling, and deeply of this moment.
The Master of Fine Arts in Theatre at Sarah Lawrence College supports students through research and practice to develop their unique artistic voice and robust creative practice to engage with the contemporary field. Under the guidance of faculty and thesis advisors who